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Sabbath Bloody Sabbath |
| Produced by Black Sabbath | |
| Released on November 1973 | |
| UK CHART POSITION #4 . . . US CHART POSITION #11 . . . PLATINUM RECORD | |
| Find it at GEMM | |
| BS 2695 cover |
Some “classic” Sabbath albums are simply better than others, with Sabbath Bloody Sabbath perhaps the weakest of that pack. The band’s energy levels are here diluted by thin self-production, Ozzy’s screechy voice, and a certain stinginess with the pummeling riffs that made Sabbath so transcendent. The title track certainly starts out heavy, but soon the band branches out into a jazzier discussion before returning with an even sludgier attack; it’s a restless song from a restless record, the band’s production skill not quite harnessing the song’s latent potential. “Killing Yourself To Live” and “A National Acrobat” feature excellent riffs from Tony Iommi, but the guitarist is after a different sort of guitar sound here, often forsaking his unmistakable metal chords for a clipped, glam rock gloss that recalls Mick Ronson’s work on David Bowie’s The Man Who Sold The World (which also featured Rick Wakeman, by the way). The same holds for “Looking For Today,” a contagious release of controlled energy that pits Iommi’s coolly detached riff against Bill Ward’s relentless rhythms, including bursts of melody that point squarely to The Beatles. The bluesy “Sabbra Cadabra” digresses midway with a synthesizer section from Rick Wakeman; the spooky, lumbering “Who Are You” uses synthesizers throughout (this time from Geezer Butler, who creates a fine facsimile of Wakeman’s style on the orchestral ending). Sabbath Bloody Sabbath broadens the band’s musical horizons, much as Volume 4 did, but the band at its best was an unblinking juggernaut, words that wouldn’t describe an album that ends with the orchestral washes and Who-like ambitions of “Spiral Architect.” That said, the instrumental “Fluff” is perhaps the prettiest of all Tony Iommi’s instrumental pieces, which is saying something.
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| BS 2695 back cover | BS 2695 lyric insert |
TRACK LISTING
CREDITS
GEEZER BUTLER -- bass, fuzz bass, synthesizer, Mellotron, hands, nose
TONY IOMMI -- guitars, acoustic and steel guitars, piano, harpsichord, synthesizer, flute, organ, hands, bagpipes
OZY OSBOURNE -- vocals, synthesizer, hands
BILL WARD -- drums, percussion, timpani, hands, fuzz bass-drum
Will Malone -- conductor, string arrangement
The Phantom Fiddlers -- strings
Rick Wakeman -- piano and synthesizer (4)
Mike Butcher -- engineer, production help
Mark Forster -- coordination
Patrick Meehan -- direction
Spock Wall -- production help
Drew Struzan -- illustrations
return to BLACK SABBATH discography
| REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
|---|---|---|---|---|---|
| UK | November 1973 | WWA | LP/CS | WWA/WWC 005 | |
| US | December 1973 | Warner Bros. | LP/CS | BS 2695 | lyric insert |
| UK | June 1980 | Vertigo | LP/CS | ||
| November 1985 | NEMS | LP/CS | |||
| UK | June 1988 | Vertigo | 2LP/2CD/2CS | repackaged w. BLACK SABBATH | |
| US | August 9, 1988 | Warner Bros. | CD/CS | 2695 | |
| June 1989 | Castle | CD | bonus track (*) | ||
| July 1992 | Castle | CD | CLA 201 | ||
| UK/GER | February 1996 | Essential | CD | ESMCD 305 | digitally remastered |
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