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Agents of Fortune |
| Produced by Murray Krugman, Sandy Pearlman and David Lucas | |
| Released on May 1976 | |
| US CHART POSITION #29 . . . PLATINUM RECORD . . . UK CHART POSITION #26 | |
| Find it at GEMM | |
| PC 34164 cover |
T his should have come with a sticker that read: Contains the hit “(Don’t Fear) The Reaper” and not much else. That song is brilliant, a perfect replication of The Byrds’ ringing guitars and a lyric to die for, but it dwarfs the rest of the record. While I’m on the subject, “Godzilla” proved equally enigmatic, suggesting that Donald “Buck Dharma” Roeser might have been the most complete songwriter on the squad. Agents of Fortune (which takes its title from a line in “E.T.I.”) became one of the band’s biggest hits, but I’ve never felt it was one of their better albums. There are signs that some of these tracks could kick butt in a live setting, which was in fact the case with “E.T.I (Extra Terrestrial Intelligence)” and might also apply to “Tattoo Vampire” and “The Revenge of Vera Gemini.” The latter features haunting vocals from Patti Smith, who was dating keyboardist Allen Lanier at the time (I guess somebody had to). Apparently that raised his reputation in the band, who accorded him a larger role in the arrangements. The result softens the album’s attack considerably by replacing the potent punch of guitar with synthesizers and piano, not the first two sounds that come to mind when you think of the apocalypse (and then again...). The last track, “Debbie Denise,” is sweet and sort of innocent, but as the album’s second single it charted about as well as a stale little Debbie cake in a taste test. In fact, you could say that staleness is a running theme here. “True Confessions” and “Sinful Love,” for example, lost their teeth a long time ago. While I’m whining, I should note that the opening “This Ain’t The Summer of Love” is a shortcut to nowhere; amazingly, this was stretched into a twelve-minute epic on tour. As “(Don’t Fear) The Reaper” proved, it was the summer of love all over again, at least as far as BOC was concerned. Since what surrounds that single is mostly generic ‘70s rock, anyone who bought the album hoping to hear more of the same was fated to be disappointed.
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| PC 34164 inner gatefold | PC 34164 back cover |
TRACK LISTING
CREDITS
ERIC BLOOM -- vocals, guitar, keyboards, percussion
ALBERT BOUCHARD -- drums, vocals, acoustic guitar, percussion, and harmonica
JOE BOUCHARD -- bass, vocals, piano
ALLEN LANIER -- keyboards, vocals, guitar, and bass
DONALD (BUCK DHARMA) ROESER -- guitar, vocals, synthesizer, percussion
Michael Brecker -- horns
Randy Brecker -- horns
Patti Smith -- vocals (5)
Andy Abrams -- engineer
Shelley Yakus -- engineer
Lynn Curlee -- cover painting
John Berg and Andy Engel -- album design
Columbia Records -- photography
return to BLUE OYSTER CULT discography
| REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
|---|---|---|---|---|---|
| US | May 1976 | Columbia | LP/CS | PC 34164 | gatefold cover |
| UK/NET | May 1976 | CBS | LP | S81835 | gatefold cover |
| CAN | May 1976 | CBS | LP | KC 34164 | gatefold cover |
| JPN | 1976 | CBS/Sony | LP | 25AP-109 | lyric insert |
| UK/NET | CBS | LP/CS | 32221/4032221 | gatefold cover reissue | |
| US | Columbia | LP | PC 34164 | gatefold cover, barcode reissue | |
| US | 1997 | Mobile Fidelity | CD | UDCD-697 | original master recording |
| EUR | June 25, 2001 | Epic | CDX | 5022371 | digital remaster w. bonus tracks |
| US | July 3, 2001 | Columbia/Legacy | CDX | CK 85479 | Super Audio remaster w. bonus tracks |
© 2003 Connolly & Company. All rights reserved.