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Masques |
| Produced by Robin Lumley | |
| Released on July? 1978 | |
| US JAZZ CHART POSITION #32 | |
| Find it at GEMM | |
| CAROL 1391-2 cover |
M asques is the band’s most accessible album yet, favoring upbeat fusion music that recalls the work of Return to Forever in more than a few spots. The change in sound can be traced to the changes in the lineup: keyboardist Peter Robinson (who had played with RTF’s Stanley Clarke and Lenny White as well as with Pert in the short-lived Suntreader) is similar in style to Chick Corea, incorporating Latin and funk with an ear toward the spacier side of progressive rock; new drummer Chuck Burgi lays down solid riffs that favor the rock side of the jazz/rock split; and Morris Pert increases his role in the band as a songwriter and increases his percussive arsenal to include melodic instruments. Original member Robin Lumley assumes production duties, and his effect combined with Jones and Goodsall does bring Masques back to the sound of their first album, Unorthodox Behaviour. Although Jones has softened his string attack, “The Poke,” “Black Moon,” “Access to Data” and “The Ghost of Mayfield Lodge” move with the fluid grace of their debut’s most memorable moments. John Goodsall contributes only one track, “Access to Data,” highlighted by some terse and tart guitar leads, while Pert (heretofore a non-contributor) provides three, including the epic and triumphant “Deadly Nightshade” and their deepest foray into Latin fusion, “Earth Dance.” As for the title track, it retains the atmospheric and Eastern feel of their last two records while providing Jones and Pert with some room to experiment. Masques may well be the band’s best fusion album, at least in terms of memorable melodies. Purists might argue that the absence of Collins and (audibly, at least) Lumley diminishes the band’s achievement, but the subsequent shift in strategy (however small) does produce a fusion record as meritorious as any they’ve recorded.
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| CAROL 1391-2 back picture sleeve |
TRACK LISTING
CREDITS
CHUCK BURGI -- drums
JOHN GOODSALL -- guitar
PERCY JONES -- bass
MORRIS PERT -- percussion, Fender piano (3)
PETER ROBINSON -- keyboards
Stephen W. Tayler -- engineer
Frank -- sleeve design
Chris Kutschera -- photo
HAG -- back
AD Design -- layout design
return to BRAND X discography
| REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
|---|---|---|---|---|---|
| UK | 1978 | Charisma | LP/CS | CAS 1138 | |
| US | 1978 | Passport | LP/CS | PB/PAS 9829 | |
| FRA | 1978 | Charisma | LP | 9103 125 | |
| GER | 1978 | Charisma | LP | 9124 030 | |
| UK | 1989 | Virgin | CD | CASCD 1138 | |
| US | June 1989 | Caroline | CD | CAROL 1391 | |
| EUR | Virgin | CD | 787117 |
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