|Paint The World|
|Produced by Chick Corea and Ron Moss|
|Released on September 14, 1993|
|US JAZZ ALBUMS CHART POSITION #5|
|Find it at GEMM|
H onestly I expected something more like paint by numbers, since the Akoustic/Elektric albums I own (none with Eric Marienthal) never lit a fire under me. Paint The World initially met my expectations, exorcising the last traces of staid acoustic jazz on the opening two cuts. From that point on, however, it burns; maybe they should have called this the Chick Corea Nuklear Fusion Band. Before I put too much confidence in Paint’s corner, it appears that Beneath The Mask, Inside Out and Eye of the Beholder contain much of the same magic. That’s a discussion for another day; right now I’ll tell you that “Tone Poem,” “CTA” and the combination of “Silhouette/Space” is enough to vaunt this disc past of most of Chick’s ‘80s releases. I was sold on this painting after that, from the way that Corea’s keys glide confidently at the front to the solid foundation that grows from the crisply self-contained rhythms of Jimmy Earl and Gary Novak. The new element to my ears is the addition of saxophonist Marienthal and guitarist Mike Miller; it immediately places the Elektric Band in the rich field of fusion (you’ll be reminded of Weather Report more than once). As is usually the case, Corea embraces different styles with his unit, some of it very edgy (“Ished”), some of it languid (“Reprise”), tossing in passages of elegant cocktail jazz (“Ritual”) and weaving wonderful guitar passages into the result. The real treat for longtime fans may be “Spanish Sketch,” where Corea takes an earlier theme (sorry I forget from where) and re-casts it in monumental bronze. Needless to say, I’m not buying any more latter-day Corea albums until I finish off the five-piece works: Light Years, Eye of the Beholder et al. As a three- and four-piece they could generate some heat, but it’s as a five-piece that they really catch fire.
|GRD-9731 booklet gatefold||GRD-9731 booklet back cover|
CHICK COREA -- Yamaha S-CF III concert grand piano, Yamaha SY99, Roland D-550, Fender Rhodes, mixing
JIMMY EARL -- bass
ERIC MARIENTHAL -- alto saxophone, soprano saxophone
MIKE MILLER -- electric & acoustic guitars
GARY NOVAK -- drums
Bernie Kirsh -- engineer, mixing
Ron Moss -- executive album producer, album cover concept
Dave Grusin & Larry Rosen -- executive producers
Barton Stabler -- cover illustration, album cover concept
Mike Manoogian -- cover & graphic design, logo
Harrison Funk -- photography
|REGION||RELEASE DATE||LABEL||MEDIA||ID NUMBER||FEATURES|
|US||September 14, 1993||GRP Records||CD/CS||GRD/GRC-9731||picture booklet|
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