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"Heroes" |
| Produced by Bowie and Visconti | |
| Released on October 1977 | |
| UK CHART POSITION #3 (RE-CHART #75 in 1983) . . . US CHART POSITION #35 | |
| Find it at GEMM | |
| RCD 10143 cover [high resolution scan] |
I remember buying this album as a young teenager on a school field trip to Hartford, CT (yeah, it was a long day) and clutching it in my bony arms like a shield. Such was the power of Bowie to a young mind, an icon to ward off the mediocrity of contemporary music. Today, some of the power has been sapped from the black vinyl’s inscrutable inkiness, yet it still remains a remarkably vital record. The second in David Bowie’s Teutonic trilogy, Heroes does provide a stylistic link between Low’s sleepy moods and Lodger’s charred landscape. The standout track is of course “Heroes,” a beacon for doomed lovers everywhere. In Bowie’s hands, even an ephemeral state of grace promises renewal through remembrance. The second single, “Beauty And The Beast,” is nearly as winning, a twisted vision of love glimpsed through a grimy urban lens complete with guitars that cut like a razor. Like Low, nearly half of the album is instrumental, showing little in the way of evolution over his earlier constructs with Eno. “Moss Garden” is eerily luminescent (think of Plateaux of Mirror with Oriental overtones), “Neukoln” and “Sense of Doubt” just plain eerie. References to Roxy Music appear in Bowie’s squawking saxophone (notably on “Sons of the Silent Age”), while “The Secret Life of Arabia” anticipates the Eastern stride of Lodger’s “Yassassin.” In between are some fine rockers like “Joe The Lion” (appearing in a nearly identical remix on the expanded CD reissue) and the relentless “Blackout.” Honestly, Low’s stammering giddiness is missed, but Heroes still hits higher highs than Lodger. If I don’t rate this among Bowie’s most enduring efforts, bear in mind that any David Bowie album from this period should be deemed essential. After all, we could all use a little extra protection.
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| AYL1-3857 front cover | AYL1-3857 back cover |
TRACK LISTING
CREDITS
DAVID BOWIE -- vocals, keyboards, guitar, saxophone, koto, background vocals, mixing (11)
CARLOS ALOMAR -- rhythm guitar
DENNIS DAVIS -- percussion
ENO -- synthesizers, keyboards, guitar treatments
ROBERT FRIPP -- lead guitar
GEORGE MURRAY -- electric bass
Antonia Maass -- background vocals
Tony Visconti -- engineer, background vocals
Colin Thurston -- engineer
David Richards -- mixing (11,12)
Sukita -- cover photograph
| REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
|---|---|---|---|---|---|
| WW | October 1977 | RCA | LP | PL-12522 | lyric insert |
| US/CAN | October 1977 | RCA | LP/CS/8T | AFL1/AFK1/AFS1-2522 | lyric sleeve |
| US/CAN | 1980 | RCA | LP/CS | AYL1/AYK1-3857 | |
| NET/SPA | 1980 | RCA | LP | NL/NK13857 | |
| JPN | 1982 | RCA | LP | RPL-2106 | lyric insert |
| UK | 1983 | RCA Int'l | LP/CS | INTS/INTK 5066 | picture sleeve |
| GER | 1983 | RCA | LP | NL 83857 | |
| GER | 1985 | RCA | CD | PD 83857 | |
| US | RCA | CD | PCD1-2522 | ||
| US | 1991 | Rykodisc | CDX/CSX | RCD1/RACS 0143 | digital remaster w. bonus tracks |
| NET | 1991 | EMI | CDX | CDP 7977202 | w. bonus tracks |
| JPN | 1996 | EMI | CD | TOCP-8873 | w. bonus tracks |
| WW | 1999 | EMI | CD | 21908 | 24-bit digital remaster |
| JPN | EMI | CD | TOCP-65315 | 24-bit digital remaster |
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