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Tonight |
| Produced by David Bowie, Derek Bramble & Hugh Padgham | |
| Released on September 1984 | |
| UK CHART POSITION #1 . . . US CHART POSITION #11 . . . PLATINUM RECORD | |
| Find it at GEMM | |
| SJ-17138 cover [high resolution scan] |
W hen I purchased the Tonight elpee, it came with a sticker and a free single of “Blue Jean.” Missing was the counterculture icon of the ‘70s, the sci fi acolyte turned beglittered fashion idol turned brooding enigma. In his place was David Bowie, the aging icon whose free agency had cost one label a fortune. At the time of its release, I had yet to reconcile myself to Let’s Dance; it would take years of staring at one dull disappointment after another before that album looked good. When Tonight arrived, I was cautiously optimistic, and an unconventional video of “Loving The Alien” (conceived with fashion sensibilities that suggested Jean-Paul Gaultier’s futuristic perversion of history) implied that Bowie might have gotten back on track. Well, not Tonight. There are a few bright moments: “Blue Jean” is aces, “Tonight” is just swell and “Loving The Alien” reveals that our experimental spaceboy is still rattling around in that gilded cage somewhere. However, the rest of the record is recycled Iggy Pop (“Neighborhood Threat,” “Don’t Look Down”) and oldies (“I Keep Forgetting,” “God Only Knows”). Those last two tracks in particular come awfully close to sounding like parodies of the thin white duke. Of course, anyone who looked closely at Let’s Dance saw the same distressing signals: too little new music over too much time, the creative crutch of collaboration and what appeared to be, in a few cases, the artist on auto-cruise. The financial motivation to stave off retirement was certainly there, but where was the creative motivation? Let’s Dance proved at least that Bowie could adapt one more time and charm the masses at will. Tonight didn’t prove anything, except that EMI America wrote a big check without first checking under the hood.
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| SJ-17138 back cover | SJ-17138 lyric sleeve | SJ-17138 sticker insert |
TRACK LISTING
CREDITS
DAVID BOWIE -- vocals, mixing
CARLOS ALOMAR -- guitars
THE BORNEO HORNS -- horn arrangements
STEVE ELSON -- baritone sax
STANLEY HARRISON -- alto sax, tenor sax
LENNY PICKETT -- tenor sax, clarinet
DEREK BRAMBLE -- bass guitar, guitar, synthesizer, background
SAMMY FIGUEROA -- percussion
OMAR HAKIM -- drums
CARMINE ROJAS -- bass guitar
Robin Clark -- vocals
Curtis King -- vocals
Arif Mardin -- strings & synthesizer arrangements, conductor
Mark Pender -- trumpet, flugel horn
Iggy Pop -- vocals (9)
George Simms -- vocals
Guy St. Onge -- marimba
Tina Turner -- vocals (4)
Hugh Padgham -- engineer, mixing
Mick Haggerty -- art direction & design
| REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
|---|---|---|---|---|---|
| UK/AUSL | September 1984 | EMI America | LP/CS | EL 240 227-1/4 | lyric sleeve, insert |
| UK | 1984 | EMI America | CD | CDP 7 46047 | |
| US/CAN/PHI | September 1984 | EMI America | LP/CS | SJ/4XJ-17138 | lyric sleeve, sticker insert |
| BRA | 1984 | EMI | LP | 31C 064 240227 | lyric sleeve |
| COL | 1984 | Capitol | LP | 11984 | picture sleeve |
| JPN | 1984 | EMI | LP | EYS 91092 | picture sleeve, poster |
| KOR | 1984 | EMI | LP | OLE-561 | |
| MEX | 1984 | EMI | LP | SLEM 1231 | |
| NZ | 1984 | EMI America | LP | ST-17138 | lyric sleeve |
| SING | 1984 | Thomsun Original | CS | EN-98 | |
| SPA | 1984 | EMI | LP | 072 240227-1 | lyric sleeve |
| VEN | 1984 | EMI | LP | 25502 | |
| YUG | 1984 | Jugoton | LP | SEMIA 11077 | lyric sleeve |
| UK | EMI | LP | DB1 | lyric sleeve | |
| JPN | 1995 | EMI | CDX | VJCP-25211 | w. bonus tracks |
| WW | 1999 | EMI | CD | 5218970 | 24-bit digital remaster |
| JPN | 1999 | EMI Toshiba | CD | TOCP-65319 | 24-bit digital remaster |
| NET | March 20, 2003 | Disky | CD | SI 905404 | |
| JPN | 2007 | EMI | CD | TOCP-70155 | digital remaster |
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