![]() |
Morrison Hotel |
| Produced by Paul A. Rothchild | |
| Released on February 1970 | |
| US CHART POSITION #4 . . . GOLD RECORD (2/23/70), PLATINUM (11/15/01) . . . UK CHART POSITION #12 | |
| Find it at GEMM | |
| EKS 75007 cover [high resolution photo] |
A fter several albums that found Morrison’s influence shrinking within the band, the singer reasserts himself as the principal dynamic force on the aptly titled Morrison Hotel. It’s not hard to hear why many felt this was a return to their blues-based debut -- the opening “Roadhouse Blues” rumbles and roars like nothing since it. The album is actually divided into two halves: the first, subtitled “Hard Rock Café,” is by far the better half, with the powerful psychedelia of “Waiting for the Sun,” the politically charged “Peace Frog,” the masterfully smooth “Blue Sunday” and the straightahead blues of “You Make Me Real.” On the second side, which shares the album’s title, the songs settle into storytelling that are less electrically charged but still interesting. “The Spy” slinks like its namesake, “Indian Summer” floats along like a raft on a slow current, but only “Maggie M’Gill” summons the singer’s dark vocal powers. There are a few clunkers on here -- “Ship of Fools” and “Land Ho!” in particular haven’t aged so well -- but Morrison’s performance rights what might have been, material-wise, a listing ship. Apparently, The Doors realized that strings and psychedelic arrangements were no match for Morrison’s raw magnetism, and Morrison Hotel is the better album for it.
![]() |
![]() |
| EKS 75007 inner gatefold | EKS 75007 back cover |
TRACK LISTING
CREDITS
JOHN DENSMORE -- drums
ROBBIE KRIEGER -- guitar
RAY MANZAREK -- piano & organ
JIM MORRISON -- vocals
Ray Neopolitan -- bass
Lonnie Mack -- bass (1,11)
G. Puglese -- harp (1)
Bruce Botnick -- engineer
Gary Burden -- design
Henry Diltz -- photography
return to THE DOORS discography
| REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
|---|---|---|---|---|---|
| US | February 1970 | Elektra | LP | EKS 75007 | gatefold cover, red label |
| FRA | 1970 | Elektra/Vogue | LP | SLVLXEK497 | |
| US | 1973 | Elektra | LP | EKS-75007 | gatefold cover, butterfly label |
| JPN | Elektra | LP | P-10502E | gatefold, lyric insert | |
| CAN | Elektra | CS | TC5 75007 | ||
| AUS'L | Elektra | CS | 610994 | ||
| MEX | Elektra | LP | LWE-5051 | ||
| YUG | 1979 | Suzy | LP | ELK42080 | |
| JPN | 1980 | Elektra | LP | P-6415E | gatefold, lyric insert |
| UK/GER | 1980s | Elektra | LP | K42080 | gatefold cover |
| 1982 | Elektra | CS | 462034 | repackaged w. L.A. WOMAN | |
| UK | Elektra | CD/CS | 60675 | ||
| US | May 24, 1988 | Elektra | CD | 75007 | |
| UK | 2000 | WEA Int'l | CD | 62552 | digital remaster |
| JPN | Elektra | CD | WPCR-11605 | digital remaster | |
| RUS | CD Maximum | 2CD | 378/9 | repackaged w. ALIVE SHE CRIED + ABSOLUTELY LIVE | |
| GER | 2003 | Elektra | LP | 60675 | gatefold, 180g vinyl |
For more discographies visit...
![]()
© 2005 Connolly & Company. All rights reserved.