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Honky Chateau |
| Produced by Gus Dudgeon | |
| Released on May 19, 1972 | |
| UK CHART POSITION #2 . . . US CHART POSITION #1 . . . PLATINUM RECORD | |
| Find it at GEMM | |
| MCA-37064 cover [high resolution scan] |
H onky Chateau marks the beginning of Elton’s boogaloo phase, kicking off a string of seven consecutive #1 albums. The album is also important as the first to feature a backing band rather than a rotating cast of characters, Elton having settled on guitarist Davey Johnstone and a rhythm section of Nigel Olsson and Dee Murray. As with most of his classics albums, Honky Chateau houses a brilliant ballad (“Rocket Man”), an irrepressible rocker (“Honky Cat”) and filler of varying merit. Although both a critical and commercial success, Chateau isn’t vintage Elton in my book. Yes, “Honky Cat” is an absolute hoot, complete with a kickin’ horn section. And Gus Dudgeon finally finds the perfect space vehicle for Elton with “Rocket Man.” Yet his next album, even the maligned Caribou, had two great songs to recommend it. Can you really make a case that “Mona Lisas And Mad Hatters” or “Slave” swing the balance scales decisively in favor of Chateau? I couldn’t. The boogaloo tunes (“Susie,” “Amy,” “Hercules”) are what stay with me when the hits are over, much like those mid-period John Lennon albums (Mind Games, Walls and Bridges). “Mellow” is essentially a rewrite of “Razor Face,” while the gospel and country songs don’t ring true this time. What I hear on Honky Chateau is the beginning of the Elton assembly line being primed for seven years of predictable (albeit occasionally outstanding) product. Of course, cynicism hadn’t set in for most critics, who were probably glad that Elton’s energy was being focused on songs rather than some sprawling concept album (it was dicey there for a little while). I would tell you that two songs do not make a great album (unless that album happens to be called Close To The Edge). Honky Chateau is a good album with two great songs, which is why Greatest Hits albums were invented. Well, that and greed.
TRACK LISTING
CREDITS
ELTON JOHN -- vocals, electric and acoustic piano, organ
DAVEY JOHNSTONE -- guitars, banjo, mandolin, backing vocals
DEE MURRAY -- bas, backing vocals
NIGEL OLSSON -- drums, tambrouine, backing vocals
Madeline Bll -- bcaking vocals (6)
Jacques Bolognesi -- trombone (1)
Jean Louis Chautemps -- saxophone (1)
Ray Cooper -- congas (8)
Gus Dudgeon -- brass arrangement (1), rhino whistle and backing vocals (11)
Alain Hatot -- saxophone (1)
Tony Hazzard -- backing vocals (6)
David Hentschel -- ARP synthesizer (5,6)
Ivan Julien -- trumpet (1)
Jean-Luc Ponty -- electric violin (2,8)
"Legs" Larry Smith -- tap dance (3)
Larry Steel -- backing vocals (6)
Lisa Strike -- backing vocals (6)
Ken Scott -- engineer
Steve Brown -- co-ordinator
Ed Caraeff -- cover photography
Michael Ross -- sleeve design, photography
Michael Childers -- photography
J.F. Rault -- photography
| REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
|---|---|---|---|---|---|
| UK | May 1972 | DJM | LP | DJLPH-423 | gatefold cover |
| US | May 19, 1972 | Uni | LP | UNI-93135 | gatefold cover |
| ARG | 1972 | Fermata | LP | SLF-223 | |
| JPN | 1972 | DJM | LP | K22P-205 | |
| US | 1973 | MCA | LP | MCA-2017 | gatefold cover |
| UK | DJM | LP | PRICE-101 | ||
| US | 1980 | MCA | LP | MCA-37064 | |
| US | MCA | LP/CS | MCA/MCAC-1611 | ||
| US | Mobile Fidelity | CD | UDCD-536 | gold disc remaster | |
| JPN | 1995 | Mercury | CDX | PHCR-4016 | digital remaster w. bonus track |
| UK | 2004 | Mercury | CDX | 9824 030 | SACD remaster w. bonus track |
| US | 2004 | Island | CDX | B0003609-36 | SACD remaster w. bonus track |
| JPN | 2006 | Universal | CDX | UICY-9105 | w. bonus track |
| JPN | 2008 | Universal | CDX | UICY-93669 | SHMCD remaster w. bonus track |
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