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Thirty-Three & 1/3 |
| Produced by George Harrison | |
| Released on November 24, 1976 | |
| UK CHART POSITION #35 . . . US CHART POSITION #11 . . . GOLD ALBUM (1/19/77) | |
| Find it at GEMM | |
| DH 3005 cover [high resolution photo] |
T hirty-Three & 1/3 is a clever title; it alludes to both the revolutions per minute (RPM) of an elpee and George Harrison’s age at the time. The album has its share of admirers and detractors, strikingly similar to John Lennon’s Walls & Bridges in many ways. Both albums featured a pair of strong singles (in this case “Crackerbox Palace” and “This Song”), a mix of languid ballads and boogaloo (i.e., a slightly soulful, kinda funky brand of uptempo rock music), and more emotional depth than Paul or Ringo could plumb. Fans of the album can point to well-written songs that smack of vintage Harrison, rendered in countrified boogaloo (“Woman Don’t You Cry For Me”), a sort of spiritual disco (“Learning How To Love You”), or the lightly gilded and translucent pop that Harrison could conjure on command (“Beautiful Girl”). Detractors will fault Harrison for settling into too comfortable a setting and not wringing more from his muse. In a way, it’s flattering that George is held to the same high standards as John and Paul (and, in my opinion, this gets the nod over Wings at the Speed of Sound as the better bicentennial ex-Beatles album). “This Song,” which lampoons his legal troubles over “My Sweet Lord” (though the incorrigible Beatle steals from his own “What Is My Life” in the process) and the remarkably funky “Crackerbox Palace” are primo George-o. The rest of the album is rarely less than engaging, with some fine guitar work (“Pure Smokey”), sage advice (“See Yourself”) and a kickin’ one-man horn section in Tom Scott. Thirty-Three & 1/3 is a good album, not a great one. Together with the eponymous album that followed and 1987’s Cloud Nine, it’s one of the few Dark Horse releases you can bet on showing you a good time. (Thanks, Jim, for letting me keep this one.)
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| DH 3005 inner gatefold | DH 3005 back cover |
TRACK LISTING
CREDITS
GEORGE HARRISON -- guitars, vocals, synthesizers & percussion
DAVID FOSTER -- Fender Rhodes & clavinet
EMIL RICHARDS -- marimba
TOM SCOTT -- saxophone, flute & lyricon, assistant producer
ALVIN TAYLOR -- drums
RICHARD TEE -- piano, organ & Fender Rhodes
WILLIE WEEKS -- bass
GARY WRIGHT -- keyboards
Billy Preston -- piano, organ & synthesizer
Hank Cicalo -- recording engineer
Phil McDonald -- remix
Kumar Shankar -- second engineer
Bob Cato -- album design & photography
| REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
|---|---|---|---|---|---|
| UK/ISR | November 24, 1976 | Dark Horse | LP/CS | K56319 | gatefold cover, lyric sleeve |
| US | November 24, 1976 | Dark Horse | LP/CS/8T | DH 3005 | gatefold cover, lyric sleeve |
| COL | CoDiscos/Warner | LP | WEA10606 | ||
| JPN | 1976 | Dark Horse | LP | P-10285D | gatefold cover, lyric sleeve |
| GER | 1976 | Dark Horse | LP | DH56319 | |
| NET | 1976 | Warner Bros. | LP | WB56319 | |
| RUS | ATR | LP | ATR30225 | ||
| SPA | Dark Horse | LP | HDHS 871-01 | gatefold cover, inner sleeve, insert | |
| BRA | 1977 | Dark Horse | LP | 66000 | |
| US | 1991 | Warner Bros. | CD | 26612 | |
| UK | January 1992 | EMI | CD | ||
| UK | 2004 | EMI | CDX | 594086 | digital remaster w. bonus track |
| US | February 24, 2004 | Capitol | CDX | 94086 | digital remaster w. bonus track |
| ARG/GER/NET | February 26, 2004 | Capitol | CDX | 594233 | digital remaster w. bonus track |
| JPN | 2004 | EMI | CDX | TOCP-67335 | digital remaster w. bonus track |
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