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3WC* |
| Produced by Bruce Fairbairn (track 6 by Roy Thomas Baker, Mick Jones, Ian McDonald and Bruce Fairbairn) | |
| Released on 1980 | |
| no chart information | |
| Find it at GEMM | |
| SB 7110 cover [high resolution photo] |
I n picking up this album for a dollar, I felt I was closing the book on the extracurricular adventures of Foreigner. Instead it came with a pricely cost, opening the book on strange new worlds with names like Stories and Prism. (“You would use a book analogy, you weenie,” chimed the troll.) If, like me, you were expecting two-fisted rock in the fashion of Foreigner, save your money for Lou Gramm’s records. Lloyd straddles the middle world of rock and new wave on 3WC* like a male version of Pat Benatar (artistically not physically). Despite the grave title, Third Wave Civilization isn’t a blueprint for the future (if Lloyd had any inkling into the future, he probably wouldn’t have recorded a version of Gary Glitter’s “Do You Wanna Touch Me”). Instead, it’s music that would have felt right comfortable in 1980 and, today, maybe a little self-conscious. Lloyd writes some of the music himself but takes help when it’s offered, including two great songs from Bryan Adams (let’s see if that gets past spellcheck) and a winner from Mick Jones. Going back to those Bryan Adams songs, they’re interesting because they pre-date Adams’ own success with them: “Lonely Nights,” “Straight From The Heart.” While Lloyd’s weary voice is well-suited to the ballad, “Lonely Nights” is hands-down the best thing on here and should have been the album’s uncontestable hit. A second single (if I was picking them) would have been Jim Vallance’s “Can’t Get Enough of You,” which captures the taught post-Cars sound better than the opening Glitter track. But the thing of it is, I’m not even supposed to be here reviewing this album. I was lured by the presence of Mick Jones and Al Greenwood, only to find that 3WC* and 4NR are dissimilar alphanumerical creatures. So me and my dollar are going home, itching from two new species of underbrush called Prism and Stories.
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| SB 7110 back cover |
TRACK LISTING
CREDITS
IAN LLOYD -- lead vocals, backing vocals
AL GREENWOOD -- synthesizers
MICK JONES -- lead & rhythm guitars
JIM VALLANCE -- drums, bass, guitars & keyboards
Bryan Adams -- rhythm guitar (4)
The Aliens -- all instruments (6)
Paul Dean -- rhythm guitar (1)
Bruce Fairbairn -- backing vocals
Nancy Nash -- backing vocals (2)
Jimmy Douglass -- mixing engineer
Geoff Turner -- mixing engineer
Geoff Workman -- engineer
Sandi Young -- art direction
Larry Williams -- photography
| REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
|---|---|---|---|---|---|
| US | 1980 | Scotti Bros. | LP/CS | SB/CS 7110 | |
| CAN | 1980 | Scotti Bros. | LP | XSB 7110 | |
| JPN | 1981 | Scotti Bros. | LP | C25Y0008S | insert |
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