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In The Wake of Poseidon |
| Produced by Robert Fripp and Peter Sinfield | |
| Released on May 15, 1970 | |
| UK CHART POSITION #4 . . . US CHART POSITION #31 | |
| Find it at GEMM | |
| CDVKC2 cover |
I mperilled on fickle seas suited to the ill moods of a Poseidon Stormbringer, steadfast even as Scylla plucked the strongest oarsmen for her own dark designs (Ian McDonald, Greg Lake), our guitar-slinging Odysseus still had the presence of mind to steer his splintering charge safely into port with a second stunning album. That you can hear the lightning strike the mast, feel the upheaval in the tempestuous arrangements separated by sections of tantalizing calm, is to sense the shipwrecked King struggle against the strong pull of Charybdis and succeed. Amazing to think that, one album earlier, the band began with a halcyon of foreseeably smooth sailing. It was revealed to be merely the eye of the storm, thrusting their second album into a destructive force of unbearable intensity. Listen to “The Devil’s Triangle,” “In The Wake of Poseidon” and “Pictures of a City,” and you’ll find yourself in the middle of this musical vortex. In retrospect, no band could have withstood the fury of this music and survived intact. The albums that followed sailed clear of such dark waters, that is until Starless And Bible Black. As challenging and harrowing an experience as this is, you may be reluctant to be buffeted and bruised by the crushing magnitude of this Wake. But if “21st Century Schizoid Man” stirred something in your blood that the remainder of Court couldn’t quell, strap yourself to the mast and ride in the wake of Poseidon’s vengeful might. You’ll find respite in the three Peaces, and fall in love with the siren’s song of “Cadence and Cascade,” but they’ll be your undoing if you let them lull you into their trap. Also included is “Cat Food,” selected as the single because it’s in the middle of the two extremes, but not a suitable appetizer for the rough journey ahead. This and Starless are the two harshest entries in the Crimson catalog; if these float your boat, you really need to plug in to Van Der Graaf Generator too.
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| CDVKC2 back picture sleeve |
TRACK LISTING
CREDITS
MEL COLLINS -- saxes & flutes
ROBERT FRIPP -- guitar, mellotron, & devices
MICHAEL GILES -- drums
PETER GILES -- bass
GREG LAKE -- vocals
PETER SINFIELD -- words, sleeve design, inside painting
KEITH TIPPET -- piano
Gordon Haskell -- vocals (3)
Robin Thompson -- engineer
Virginia -- typography
Tammo de Jongh -- cover painting ("12 Archetypes")
return to KING CRIMSON discography
| REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
|---|---|---|---|---|---|
| UK | May 15, 1970 | Island | LP | ILPS-9217 | gatefold cover |
| US/CAN | 1970 | Atlantic | LP | SD 8266 | gatefold cover |
| FRA | Island | LP | 9101 628 | ||
| JPN | Atlantic | LP | P-10124A | gatefold cover, lyric insert | |
| JPN | Atlantic | LP | P-6389A | ||
| JPN | Atlantic | LP | P-8104A | gatefold cover, lyric insert | |
| UK | 1970s? | Island | 8T | Y8I 9127 | gatefold cover |
| UK | 1977 | Polydor | LP | 2303 058 | |
| GER | Polydor | LP | 2344 076 | gatefold cover | |
| JPN | Polydor | LP | 25MM0262 | gatefold cover, lyric insert | |
| KOR | Virgin | LP | VVPL 138 | ||
| US | January 1987 | Editions EG | LP/CD/CS | EGKC/EGCD/EGKCC2 | Collector's Edition, gatefold cover |
| US | 1999 | Caroline | CD | 1503 | |
| UK | March 21, 2000 | Virgin | CD | CDVKC2 | 30th anniversary series, 24-bit HDCD remaster |
| JPN | 2000 | Discipline | CD | PCCY-1422 | 30th anniversary series, 24-bit HDCD remaster |
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