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Three of a Perfect Pair |
| Produced by King Crimson | |
| Released on March 1984 | |
| UK CHART POSITION #30 . . . US CHART POSITION #58 | |
| Find it at GEMM | |
| 25071-1 cover [high resolution scan] |
I ’m not wild about saffron, the third installment of the new, improved, exotic, refined, romantic (what was wrong with the old?) King Crimson. It’s a very good album, don’t misunderstand; I’m just not sold on its merits as a good King Crimson album. The perfect pair in this case are Adrian Belew and Robert Fripp, who divide the album (sort of) into their own halves. So what you have is half an album of avant garde pop music (Belew) and half an album of ambient/industrial noise (Fripp). The opening “Three of a Perfect Pair” follows the same formula as the first two (red and blue), and just when I was thinking they hadn’t missed a Beat since Discipline, the very model of an Adrian Belew solo song slips in (“Model Man”), then two (“Man With An Open Heart”). Belew had been busy since Beat, releasing two solo albums, while Fripp had been collaborating with Andy Summers. A lot of Pair sounds like a bewitched rhino, with Levin and Bruford doing their level best to honor the contraKct. To Belew fans, I would recommend this album over Twang Bar King in a heartbeat. But Crimson (the concept) is about much more than Belew or Fripp, and Three of a Perfect Pair isn’t. The band had become a platform for its most prominent members, even if it was an interesting platform. Rather than dilute the brand into a mere mouthpiece, the band broke up. When they re-formed in the ‘90s, it was in the vein of “Industry” and “No Warning,” only less lucid and more lurid.
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| 25071-1 back cover | 25071-1 lyric sleeve |
TRACK LISTING
CREDITS
ADRIAN BELEW -- voice, fretted and fretless guitars
BILL BRUFORD -- acoustic and electric drumming
ROBERT FRIPP -- guitar
TONY LEVIN -- bass, stick, synth and background voice
Brad Davis -- engineer
Tony Arnold -- engineer (6,7)
Bob Clearmountain -- mixing (3)
Peter Willis (Trevail Mill Studio) -- cover design
Timothy Eames -- cover art
return to KING CRIMSON discography
| REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
|---|---|---|---|---|---|
| UK | March 1984 | EG Records | LP/CD/CS | EGLP/EGCD/EGMC-55 | lyric sleeve |
| US | 1984 | Warner Bros. | LP/CS | 25071 | lyric sleeve |
| ARG | 1984 | EG Records | LP | 27185 | |
| CAN | 1984 | Warner Bros. | LP | 92 50711 | lyric sleeve |
| BRA/EUR | 1984 | EG Records | LP | 817 882 | |
| JPN | 1984 | Polydor | LP | 28MM-0343 | lyric insert |
| JPN | 1988 | Virgin | LP | VJL-134 | |
| US | 1999 | Caroline | CD | 1594 | |
| US | Virgin | CD | 44072 | 30th anniversary HDCD | |
| UK | October 25, 2004 | Discipline | CDX | DGM-0510 | 30th anniversary HDCD w. bonus tracks |
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