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Octave |
| Produced by Tony Clarke | |
| Released on June 1978 | |
| UK CHART POSITION #6 . . . US CHART POSITION #13 . . . PLATINUM RECORD | |
| Find it at GEMM | |
| PS 708 cover [high resolution scan] |
K ronomyth 11.0: HELLO GOODBYE. The Moody Blues, like many of their prog peers, returned from a mid-70s summer of solo albums and re-assembled. However, rather than writing a new beginning, Octave instead marks the end of an era. The last album to feature Michael Pinder and producer Tony Clarke, Octave is a continuation of the spiritual, orchestral balladry that defined their earlier success. Pinder does utilize spacier keyboard sounds on songs like “I’ll Be Level With You” and “Steppin’ In A Slide Zone,” though they only hint at the giant electronic leap made on Long Distance Voyager. The real achievement of Octave lies in the new material from Justin Hayward: “Driftwood,” “Had To Fall In Love,” “The Day We Meet Again.” It’s some of the prettiest music Hayward has written, a sigh away from Heaven. As I mentioned, Octave is also an overtly spiritual work, referenced directly in Ray Thomas’ “Under Moonshine” and Pinder’s “One Step Into The Light,” intimated in the dreamy and elegiac tone of the album. Surprisingly (given the waning interest in progressive rock), Octave became the first Moody Blues album to go platinum in the US. Clearly, there was still a market for the band’s Beatlesque arrangements and soothing songcraft. If I hesitate to rank this alongside the acknowledged Moodies classics, I will concede that it’s my favorite album since On The Threshold of a Dream. The songs from Hayward and key contributions from Thomas and John Lodge (“Survival”) prove worth the wait; something fans would learn to do as the band entered a less frequent recording phase.
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| PS 708 inner gatefold | PS 708 back cover |
TRACK LISTING
CREDITS
GRAEME EDGE --
JUSTIN HAYWARD --
JOHN LODGE --
MIKE PINDER --
RAY THOMAS --
Jimmy Haskell -- string arrangement & conductor (8)
Dr. Terry James -- string arrangements, conductor (2,7)
R. A. Martin -- saxes, horns, horn & sax arrangements (5,6)
Garry Ladinsky, Chris Brunt, Richard Kaplan, Pete Carlsen, Dennis Hansen -- recording engineers
David Alexander -- photography
Kosh -- design & art direction
Richard Roth -- cover co-ordination
return to THE MOODY BLUES discography
| REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
|---|---|---|---|---|---|
| UK/AUS'L/SWE | June 1978 | Decca | LP/CS | TXS/KTXC 129 | gatefold cover, lyric insert |
| US/CAN | June 1978 | London | LP/LPBLU/CS/8T | PS/PS5/PS8 708 | gatefold cover, lyric sleeve, 5,000 copies made on blue-swirled vinyl |
| BEL | 1978 | Decca | LP/CS | 163054Y/DKC-211001 | gatefold cover |
| FRA | 1978 | Decca | LP | 211 001 | |
| GER | 1978 | Decca | LP | 6.23482 | gatefold cover |
| JPN | 1978 | London | LP | GP-1097 | gatefold cover, lyric insert |
| NET | 1978 | Decca | LP | 6376 125 | gatefold cover, lyric sleeve |
| TUR | Melodi/London | LP | 1009 | ||
| YUG | Jugoton | LP | LSDC 73088 | ||
| JPN | London | LP | K18P-38 | gatefold cover, lyric insert | |
| JPN | 1982 | London | LP | L20P-1012 | gatefold cover, lyric insert |
| WW | 1986 | Decca/London | LP/CD | 820 329 | |
| UK | 2008 | Universal | CDX | 5312790 | digital remaster w. bonus tracks |
| JPN | 2008 | Universal | CD | UICY-93719 | SHMCD remaster |
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