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Octave |
| Produced by Tony Clarke | |
| Released on June 1978 | |
| UK CHART POSITION #6 . . . US CHART POSITION #13 . . . PLATINUM RECORD (1/26/79) | |
| Find it at GEMM | |
| PS 708 cover [high resolution photo] |
H ere I go again, finding it so hard to explain what makes one Moodies record better than another. The band had actually broken up following Seventh Sojourn, or taken a break from one another or whatever you call it when a band stops making albums together to indulge solo careers that no one expected would take off and really amounted to little more than a pissing contest captured on plastic. In this respect, there are parallels between the Moodies and Yes, so feel free to see Octave as their Going For The One Last Time. Honestly, I expected this album was a reconciliation fueled by financial interests, that while they might have crossed the threshold together one last time the marriage was clearly over. But Octave rekindled my interest, featuring a handful of songs that reminded me of the way things were: “Had To Fall In Love,” “Driftwood,” “Survival.” Using Beatlesque arrangements and orchestral accompaniment in spots, the album flows with a grace that bands like BJH could only aspire to. I’m always amazed when a band can take years off and then pick up right where they left off. Going For The One, Who Are You, Discipline... it’s a pretty short list. Of course, it’s hard to hear this album without getting sentimental, as Michael Pinder and producer Tony Clarke left the fold after this album. I would have wished for a better swan song from Pinder than “One Step Into The Light,” but Clarke at least leaves on a high note, giving the band a lush backdrop that invites comparison to latter-day Beatles (John Lodge also sounds like he’s a got a Hohner in his hands). The album produced two singles: “Steppin’ In A Slide Zone” (which doesn’t do a thing for me) and “Driftwood” (which never fails to give me chills). But it’s the songs you haven’t heard, like “The Day We Meet Again” and “Under Moonshine,” that will determine whether you reach for Octave on the shelf or not. It’s an unlikely source for so much good music, this Octave, and belongs in any serious Moodies collection. Not surprisingly, the band shook off the rust just as easily for Long Distance Voyager, but that’s another story.
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| PS 708 inner gatefold | PS 708 back cover |
TRACK LISTING
CREDITS
GRAEME EDGE --
JUSTIN HAYWARD --
JOHN LODGE --
MIKE PINDER --
RAY THOMAS --
Jimmy Haskell -- string arrangement & conductor (8)
Dr. Terry James -- string arrangements, conductor (2,7)
R. A. Martin -- saxes, horns, horn & sax arrangements (5,6)
Garry Ladinsky, Chris Brunt, Richard Kaplan, Pete Carlsen, Dennis Hansen -- recording engineers
David Alexander -- photography
Kosh -- design & art direction
Richard Roth -- cover co-ordination
return to THE MOODY BLUES discography
| REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
|---|---|---|---|---|---|
| UK/AUS'L/SWE | June 1978 | Decca | LP/CS | TXS/KTXC 129 | gatefold cover, lyric insert |
| US/CAN | June 1978 | London | LP/LPBLU/CS/8T | PS/PS5/PS8 708 | gatefold cover, lyric sleeve, 5,000 copies made on blue-swirled vinyl |
| BEL | 1978 | Decca | LP | 163054Y | gatefold cover |
| FRA | 1978 | Decca | LP | 211 001 | |
| GER | 1978 | Decca | LP | 6.23482 | gatefold cover |
| JPN | London | LP | K18P-38 | gatefold cover, lyric insert | |
| JPN | London | LP | GP-1097 | gatefold cover, lyric insert | |
| NET | 1978 | Decca | LP | 6376 125 | gatefold cover, lyric sleeve |
| TUR | Melodi/London | LP | 1009 | ||
| YUG | Jugoton | LP | LSDC 73088 | ||
| WW | 1986 | Decca/London | LP/CD | 820 329 |
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