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Tribute |
| Produced by Max Norman | |
| Released on May 1987 | |
|
UK CHART POSITION #13 . . . US CHART POSITION #6 . . . PLATINUM RECORD | |
| Find it at GEMM | |
| ZXT 40714 cover |
T here were so many things that a tribute to Randy Rhoads, the greatest heavy metal guitarist of his generation, could have been. Electric. Inspirational. Salving. Sad. Any one of those would adequately describe Tribute at a given moment, for my money the classiest tribute album of all time. And yet Tribute is first and foremost a live Ozzy album, everything that Speak of the Devil should have been and, then, couldn’t be. There’s no need to shift the attention away from Ozzy, since Randy Rhoads had a remarkable way of shining that only reflected well on his friend. It was never just about Ozzy, or about Randy (or any one member of the band), but about the music. Yeah, I know that sounds trite, but it’s true. There’s something liberating about Ozzy’s music, breaking taboos that needed breaking every now and then, from a fear of the occult to a fear of drugs and alcohol. But none of that was more liberating than Randy’s guitar, flying high through the air and summoning all manner of sound, from sublime squalls of distortion to smooth melodies, so effortlessly that it seemed Rhoads had already left the realm of mere mortals altogether. This concert, recorded in 1981, captures all of his essential contributions to Ozzy’s canon: “I Don’t Know,” “Crazy Train,” “Mr. Crowley,” “Flying High Again,” “Suicide Solution,” “Goodbye To Romance.” The performance is eerily prescient in spots, from Ozzy’s exhortation during the encore that “You can’t kill rock and roll,” to a sweetly sad “Goodbye To Romance” that soon follows. In a touching final gesture, a studio tape of Randy recording "Dee" appears at the end, an unfinished sketch that shows Randy in the unguarded act of living. While the moment contains some sadness for us, it’s this glimpse of Randy at peace in life, doing what he loved, that’s truly inspirational, reminding us that life is for the living. Why the labels chose to delete this track for the CD release and not the unnecessary “No Bone Movies” is beyond me, though subtle things like reverence and inspiration are apparently lost on major record labels. For a number of reasons, not least of which is the music itself, Tribute remains one of my favorite live albums.
TRACK LISTING
CREDITS
OZZY OSBOURNE -- vocals, executive producer
RANDY RHOADS -- guitar
TOMMY ALDRIDGE -- drums
RUSY SARZO -- bass
Max Norman -- engineer
Josephine DiDonato -- design
Ross Halfin -- inside spread and sleves photography
Paul Natkin -- front cover photography
Neal Preston -- back cover, inside spread and sleeves photography
| REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
|---|---|---|---|---|---|
| UK | May 1987 | Epic | 2LP/CD/CS | 450475 | inner sleeve, poster |
| US | May 1987 | CBS | 2LP/CD/CS | ZXT 40714 | |
| JPN | 1987 | CBS | 2LP | 35AP-3344/5 | booklet, lyric insert |
| US | April 1993 | CBS | CD/CS | ZGK/ZGT 40714 | |
| EEC | Sony | CD | 502045 | ||
| JPN | Sony | CD | SRCS-8479 | 22-bit digital remaster | |
| US | November 1995 | Epic | CD/CS | EK 67240 | 24-bit digital remaster |
| NET | Sony | 2CD | 509428 | repackaged w. DIARY OF A MADMAN |
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