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McCartney II |
| Produced by Paul McCartney | |
| Released on May 1980 | |
| UK CHART POSITION #1 . . . US CHART POSITION #3 | |
| Find it at GEMM | |
| FC 36511 cover |
M y brother bought me this album for my 15th birthday; I’d been itching for it ever since “Coming Up” came out on the radio. Usually my purchases come on the heels of some Epimethean insight like “Wow, The Doors were a really great band -- I should buy some of their stuff,” but there was no staving off the desire to own McCartney II and have “Coming Up” at my beck and call. I liked the record then and I still like it now. The lazy thing to do is to compare this to McCartney from a decade earlier, though McCartney II is not the closet-cleaning exercise of its titular predecessor. Instead, the Wings man seems to be taking a vacation away from the band, bomb threats, and his publicized detention in Japan for marijuana possession (which inspired a memorable segment on SNL by Father Guido Sarducci). Handling all the instruments himself, McCartney sets down pretty ballads, quirky pop songs, some synthetic instrumentals and a couple of old skiffle-sounding numbers. The big difference here is the use of synthesizers to flesh out some of the tracks, giving the record a decidedly modern feel (though Paul had been leaning in that direction since London Town). Like his first “solo” album, there are miniature treasures for the finding: lovely ballads in “Waterfalls” and “One of These Days,” foot-stomping silliness on “Bogey Music” and “Temporary Secretary,” and of course the delightful “Coming Up” available in its claustrophobic studio version and, on a free 7-inch included with the original elpee, in its richer-sounding Live At Glasgow version with Wings (which was actually the one to chart). Some may also remember a video for “Coming Up” (the studio version) that featured Paul in various disguises playing all the parts. Although I wouldn’t rank McCartney II as one of Paul’s most enduring works, it is a charming and unguarded look at a very charming guy. Yes, Wings was over, but there wasn’t much meat in it anyway.
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| FC 36511 inner gatefold | FC 36511 back cover | AE7 1204 free 7-inch |
TRACK LISTING
CREDITS
PAUL McCARTNEY -- instruments, voices, engineer
Linda McCartney -- additional vocals, photographs
Eddie Klein -- technical assistance
| REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
|---|---|---|---|---|---|
| UK | May 1980 | Parlophone | LP/CS | PCTC 258 | gatefold cover, lyric sleeve |
| US | May 1980 | Columbia | LP*/CS | FC/FCT 36511 | gatefold cover, lyric sleeve, LP feat. bonus 7-inch (*) |
| BRA | 1980 | Parlophone | LP | 6663812 | |
| CAN | May 1980 | Columbia | LP | XFC 36511 | lyric sleeve |
| SPA | Odeon | LP | C0680 63812 | ||
| YUG | Jugoton | LP | LSPAR 78024 | ||
| US | Capitol | CD | 52024 | ||
| UK | August 9, 1993 | Parlophone | CD/CS | 891372 | digital remaster w. bonus tracks |
| JPN | 2000 | EMI/Toshiba | CD | 65512 | limited edition w. bonus tracks |
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