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Off The Ground |
| Produced by Paul McCartney & Julian Mendelsohn | |
| Released on February 1993 | |
| UK CHART POSITION #5 . . . US CHART POSITION #17 . . . GOLD RECORD (4/12/93) . . . PLATINUM RECORD (MEXICO) | |
| Find it at GEMM | |
| CDP-580362 cover [high resolution scan] |
H istorically, I’ve roused this disc from its sleep just to hear “Hope of Deliverance” and then slipped it back into bed. Sometimes I’d honor it with an encore of “The Lovers That Never Were” and “Peace In The Neighbourhood,” but that was the extent of my interest. It occurs to me now (at 3 in the morning) that I’ve done this a disservice. Off The Ground marked Paul’s first new disc in four years, unless you want to count Liverpool Oratorio (and you probably don’t). I wouldn’t call it a comeback, but you can’t in good conscience dismiss this album and tout Tug of War at the same time -- there’s simply not that much to separate the two. You have the brilliant pop song that makes the hair stand up on your head (“Hope of Deliverance”), a return to the old haunts (“Golden Earth Girl,” which sounds a lot like “Warm And Beautiful”), the Carl Perkins-fashioned rave-up (“Get Out of My Way”), et cetera. As with Tug, the production on here is outstanding, this time courtesy of Paul and coproducer Julian Mendelsohn. Songs like “Off The Ground” and “C’mon People” might have been lost on earlier albums, but they get the spit and polish they deserve here. Tasteful orchestration from Carl Davis and George Martin elevate the discussion accordingly, as does the continued songwriting collaboration with Elvis Costello on “Mistress And Maid” and “The Lovers That Never Were.” For some reason Press To Play got under my skin sooner, but Off The Ground is hardly a step behind it in terms of entertainment and quality. Some may have expected more from the disc because of Paul’s increasingly infrequent releases, but anyone hoping for a McCartney disc to deliver more at this stage is probably off their rocker.
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| CDP-580362 inner gatefold | CDP-580362 booklet back cover |
TRACK LISTING
CREDITS
PAUL McCARTNEY -- lead vocals, bass, electric, acoustic and Spanish guitars, piano, drums, mellotron, Wurlitzer, celeste, sitar, ocarina, congas, percussion, backing vocals, creative consultant
BLAIR CUNNINGHAM -- drums, percussion, congas, backing vocals
LINDA McCARTNEY -- second vocals, auto harp, celeste, Moog, harmonium, percussion, backing vocals, train whistle, band photography, creative consultant
ROBBIE McINTOSH -- electric, acoustic, Spanish and slide guitars, mandolin, backing vocals
HAMISH STUART -- second vocals, electric, acoustic, bass and 12 string guitars, piano, percussion, backing vocals
WIX WICKENS -- piano, clavinet, Hammond organ, accordion, drum programming, synthesiser, percussion, backing vocals
Carl Davis -- co-arranger and conductor (4,8)
Davide Giovanini -- percussion (3)
Gordon Hunt -- oboe (8)
George Martin -- co-arranger and conductor (12)
The Midnight Horns -- horn section (10)
Susan Milan -- flute (8)
David Puttman -- percussion (3)
Maurice Ravalico -- percussion (3)
Bob Kraushaar -- engineer
Clive Arrowsmith -- cover photography
Eduardo Paolozzi -- centrefold collage
Olivier Rabb -- Biker Like An Icon painting
Aubrey Powell -- art director
| REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
|---|---|---|---|---|---|
| UK | February 1993 | Parlophone | LP/CD/CS | CDP/TCP CSD125 | |
| US/CAN | February 1993 | Capitol | LP/CD/CS | CDP-5/C4-80362 | lyric sleeve |
| COL | 1993 | EMI | LP | 11001523 | |
| JPN | 1993 | EMI | 2CDX | TOCP-7580 | w. bonus CD single, lyric booklet |
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