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All The Best Cowboys Have Chinese Eyes |
| Produced by Chris Thomas | |
| Released on June 1982 | |
| UK CHART POSITION #32 . . . US CHART POSITION #26 | |
| Find it at GEMM | |
| SD 38-149 cover [high resolution photo] |
I f you’ve ever been collared by someone who just wouldn’t stop talking, you’ll be better prepared for All The Best Cowboys Have Chinese Eyes. The Who were a band of action, but Pete Townshend on his own overanalyzes, overscrutinizes and overstates his emotions, overshooting his audience in the process. It’s too bad that this album numbs the listener so early, because isolated moments on here are brilliant, from “The Sea Refuses No River” to “Somebody Saved Me.” Many people weren’t inclined to play this album often, and so the more subtle arrangements never managed to weave their magic; radio stations salvaged “Slit Skirts” from the bookshelf and let the rest burn. If it’s not his best album (and it’s not), Chinese Eyes is still quintessential Townshend: the insecure poet debilitated by his own failings but finding hope in the light at the end of the tunnel. Not surprisingly, the album sounds a lot like It’s Hard, released by The Who three months later. And while some of The Who connections are obvious (“Face Dances Part Two,” “Stardom In Acton” re-cast as “I’ve Known No War”), Pete’s clearly trying to be himself on this album. The trouble is, a lot of Who fans didn’t want to watch their hero pick at his own wounds; self-deprecating is one thing, but self-immolating just weirds people out. And yet I find myself oddly captivated by Chinese Eyes’ flip-flopping between optimism and cynicism, like an internal dialogue being played out in a troubled but conscientious mind. It’s a thoughtful record, and some of the thoughts are dark, and some are deep. Fans who appreciate Townshend for who he is, and not who he was, will enjoy this in a different way than Empty Glass, but they will enjoy it.
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| SD 38-149 inner gatefold | SD 38-149 back cover |
TRACK LISTING
CREDITS
PETE TOWNSHEND -- vocals, guitars and keyboards
VIRGINIA ASTLEY -- piano
MARK BRZEZICKI -- drums
TONY BUTLER -- bass
PETER HOPE-EVANS -- harmonica
JOHN LEWIS -- CMI Fairlight
JODY LINSCOTT -- percussion
POLLI PALMER -- tuned percussion
SIMON PHILLIPS -- drums
CHRIS STAINTON -- additional keyboards
Ann Odell -- brass arrangement (2)
Bill Price -- engineer
Chalkie Davies and Carol Starr -- photography, sleeve design
| REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
|---|---|---|---|---|---|
| UK | June 1982 | Atco | LP/CS | K/K4 50889 | gatefold cover, lyric sleeve |
| US | June 1982 | Atco | LP/CS | SD/CS 38-149 | gatefold cover, lyric sleeve |
| CAN | 1982 | Atco | CS | XSD/XCS 38-149 | gatefold cover, lyric sleeve |
| GER | 1982 | Atco | LP | ATC 50889 | |
| JPN | 1982 | Atco | LP | P-11102 | gatefold cover, lyric sleeve |
| US | Atco | CD | 38-149 | ||
| US | October 1995 | Atlantic | CD | 82812 | digital remaster |
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