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Dance Into The Light |
| Produced by Phil Collins & Hugh Padgham | |
| Released on October 15, 1996 | |
| UK CHART POSITION #4 . . . US CHART POSITION #23 . . . GOLD RECORD | |
| Find it at GEMM | |
| 82949-2 cover [high resolution photo] |
F rom the ranked amateurs of amazon you’ll find the word “masterpiece” connected to this album. (And, no, the words “of crap” didn’t come following after.) But Phil, in phact, hadn’t released a serious work of art since the ‘80s. Since then, it’s been a winding down of the commercial whirlwind: We Can’t Dance, Both Sides, retirement from Genesis. The music of Phil Collins had lit the world on fire during the ‘80s, but the ‘90s found him burned out. Both Sides retreated from stardom a little, Dance Into The Light retreats from the whole philnomenon, stepping outside his well-established idiom to walk in the shoes of Paul Simon, Tom Petty and Bob Dylan for a spell. Historically, this happens when artists have lost their original inspiration and go looking for it elsewhere. Or he simply could have been bored with the prospect of making another Phil Collins record and decided just to make half of one. That would be the better half, by the way: “Dance Into The Light,” “It’s In Your Eyes,” “The Same Moon,” “No Matter Who,” “Oughta Know By Now.” None of it adds one iota to his earlier work, though I could listen to “It’s In Your Eyes” a thousand times and not grow tired of it. The graceless Simonisms (“Wear My Hat,” “Take Me Down”) are a-frican travesty, the petty Byrd calls (“That’s What You Said”) better, Dylan a pickled curio. After the full feasts of his first four albums and the dine-at-home Both Sides, Dance Into The Light offers lukewarm leftovers. As for the misplaced praise of those amazoneanderthals? Philistines, the lot of them.
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| 82949-2 back sleeve |
TRACK LISTING
CREDITS
PHIL COLLINS -- drums, vocals, kalimba, lead & rhythm guitars, keyboards, slide guitar, bagpipes, piano, horn arrangements, mixing
RONNIE CARYL -- rhythm guitar, lead guitar solo
BRAD COLE -- keyboards, strings, organ
NATHAN EAST -- bass
AMY KEYS -- vocals
ARNOLD McCULLER -- vocals
DARYL STUERMER -- lead guitar, rhythm guitar
VINE ST HORNS:
Daniel Fornero -- trumpet
Harry Kim -- trumpet, horn arrangements
Arturo Velasco -- trombone
Andrew Woolfolk -- saxophones
Hugh Padgham -- engineer, mixing
Gerard Mankowitz -- photography
David Costa & Dan Einzig -- art direction
Wherefore ART? -- design
| REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
|---|---|---|---|---|---|
| UK | October 1996 | Face Value | CD/CS | 16000 | |
| US | October 15, 1996 | Atlantic | CD/CS | 82949 | |
| CAN | 1996 | Atlantic | CS | 78 29494 | |
| GER | 1996 | Face Value | CD | 16161 |
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