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Face Value |
| Produced by Phil Collins assisted by Hugh Padgham | |
| Released on February 1981 | |
| UK CHART POSITION #1 . . . US CHART POSIITON #7 | |
| Find it at GEMM | |
| SD 16029 cover |
P hil Collins was the last member from Genesis to release a solo album; Face Value proved worth the wait. Although Collins had made recent commercial inroads with Genesis, notably the single “Misunderstanding” (from Duke), Face Value elevated the singer/drummer to star status. The songs are influenced less by Genesis (in fact, the reverse would prove to be the case) than Peter Gabriel’s third album, which Collins had appeared on. Using heavy, exotic percussive textures (often sans cymbals) and moody synthesizers, Face Value brought to mind some of Gabriel’s darker character studies (“Intruder,” “Biko”) with its advance single and video, “In The Air Tonight.” But Collins proved to be a man of many faces: a romantic balladeer, a smooth pop singer, a sympathetic storyteller, a sonic adventurer. Subsequent singles from Face Value revealed a real knack for writing catchy pop songs that resurrect the halcyon days of Motown’s golden era, a light-hearted reworking of Duke’s “Behind The Lines” among them. In an attempt to show his range as a songwriter, Collins casts his eye on country music (“The Roof Is Leaking”) and psychedelia (a cover of The Beatles’ “Tomorrow Never Knows”) with good results. But his strength lied in romantic ballads with adult themes, often addressing his own marital problems in titles like “If Leaving Me Is Easy” and “I’m Not Moving.” By matching upbeat melodies with downbeat observations, Face Value can seem shallow on inspection, but the same charge could have been levelled against hits from Gabriel (“Games Without Frontiers”) and Genesis (“Misunderstanding,” “No Reply At All”), proving that most people don’t really listen to the words. Lots of people listened to Face Value and loved it, thus the cult of Collins was born.
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| SD 16029 inner gatefold | SD 16029 back cover |
TRACK LISTING
CREDITS
PHIL COLLINS -- vocals, Roland drum machine, drums, Prophet, Rhodes, vocoder, percussion, Fender, piano, congas, claps, marimba, 8-track engineering
DARYL STUERMER -- guitar, banjo, 12-string guitar
Stephen Bishop -- backing vocals
Children from The Church of Los Angeles -- choir (6,12)
Eric Clapton -- guitar (11)
Rahmlee Michael Davis -- trumpet, flugelhorn
Martyn Ford Orchestra -- string section
John Giblin -- bass
Michael Harris -- trumpet, flugelhorn
Alphonso Johnson -- bass
Arif Mardin -- string arrangements (8,11)
Don Myrick -- tenor sax, alto sax
Joe Partridge -- slide guitar (4)
Peter Robinson -- Prophet (3)
Louis Satterfield -- trombone
Ronnie Scott -- tenor sax solo (7)
Shankar -- violins, tamboura, voice drums
Gavyn Wright -- string section leader
Hugh Padgham -- engineer
Trevor Key -- photography
| REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
|---|---|---|---|---|---|
| UK | February 1981 | Virgin | LP/CS | V/TCV 2185 | gatefold cover |
| US/CAN | February 1981 | Atlantic | LP/CS | SD/CS 16029 | gatefold cover |
| GER | 1981 | Atlantic | LP/CS | WEA 99143/499143 | gatefold cover |
| US | 1985? | Atlantic | CD/CS | SD/CS 16029 | |
| UK | June 1988 | Virgin | CD | CDV 2185 | |
| US | June 1994 | Atlantic Gold Standards | CD | 82520 | booklet |
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