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News of the World |
| Produced by Queen assisted by Mike Stone | |
| Released on November 1, 1977 | |
| UK CHART POSITION #4 . . . US CHART POSITION #3 . . . PLATINUM RECORD (11/28/77), 4x PLATINUM (11/14/02) | |
| Find it at GEMM | |
| 6E-112 cover [high resolution gatefold photo] |
T his comes on like gangbusters, then steps back from itself to become just another Day. Of course, just another Day is hour pleasure, as all four members do their best to while away the moments with great music. There is the opening “We Will Rock You” and “We Are The Champions,” and you’re over the wall to examine tracks like “Spread Your Wings” and “Who Needs You” at your leisure. If you’re looking for a change in the weather, News of the World does rock harder more often: “Sheer Heart Attack,” “Fight From The Inside,” “Get Down, Make Love.” And then there’s the crushing chorus of “It’s Late” to consider. Heavy stuff, way intense, but it’s balanced brilliantly by deft musical exercises like “Melancholy Blues” and the sublime “All Dead, All Dead” (shades of “Jesus”). If it’s not their best album (most prefer A Night at the Opera), News of the World features some of the band’s best songwriting. Contributions from Roger Taylor and John Deacon are no longer icing but essential ingredients to the cake, and split conveniently along the Mercury (Taylor) and May (Deacon) axis. So sometimes the News is hot (searing on “Get Down, Make Love”) and sometimes it blows cool (“Sleeping On The Sidewalk”). Nearly half of the album could be considered classic material; maybe the whole thing qualifies. “We Are The Champions” is a defining moment for Queen, much as “Bohemian Rhapsody,” and “We Will Rock You” has permeated the collective consciousness alongside Gary Glitter’s “Rock And Roll Part II” as an international ambassador to sports arenas everywhere. In fact, if alien visitors have actually visited Earth, you can be sure that somewhere in a distant sports arena green tentacles are stomping out a beat that goes boom-boom-chick. Despite the range of material on News of the World, it represents a tightening since A Day At The Races, which suffered a bit from rococo sensibilities. Queen has scaled back the towering harmonies and elephantine arrangements, returning to the relatively intimate setting of Night. One of their most popular records, and deservedly so. If you find anyone who rates this album as average, smack ‘em for me.
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| 6E-112 inner gatefold | 6E-112 lyric sleeve |
TRACK LISTING
CREDITS
JOHN DEACON -- bass guitar
BRIAN MAY -- guitar, backing vocals
FREDDIE MERCURY -- vocals, piano
ROGER TAYLOR -- drums, backing vocals
Mike Stone -- engineer
Frank Kelly Freas -- original artwork
Cream -- layour and sleeve coordination
return to QUEEN discography
| REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
|---|---|---|---|---|---|
| UK | November 1, 1977 | EMI | LP/CS | EMA/TC-EMA 784 | gatefold cover, lyric sleeve |
| US/CAN | November 1, 1977 | Elektra | LP/CS | 6E/TC5-112 | gatefold cover, lyric sleeve |
| ARG | EMI | LP | 8475 | gatefold cover | |
| BRA | 1977 | EMI | LP | 8061 | |
| FRA | 1977 | EMI | LP | 2C 068 60033 | gatefold cover |
| GER | 1977 | EMI | LP | 1C 064 60033 | gatefold cover |
| JPN | 1977 | Elektra | LP | P-10430E | gatefold cover, lyric insert |
| MEX | 1977 | EMI | LP | SLEM-746 | gatefold cover |
| NET | 1977 | EMI | LP | 5C 062 60033 | gatefold cover |
| US | 1991 | Hollywood | CDX/CSX | 61037 | w. bonus track |
| EUR | EMI | CD | CDP 7 89494 | digital remaster | |
| US | 1993 | Mobile Fidelity | CD | UDCD-588 | original master recording |
| JPN | 2001 | EMI/Toshiba | CD | TOCP-65106 | 25th anniversary edition |
| JPN | EMI/Toshiba | CD | TOCP-65846 | 24-bit digital remaster | |
| JPN | EMI/Toshiba | CD | TOCP-67346 | 24-bit digital remaster |
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