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Queen |
| Produced by John Anthony, Roy Baker and Queen | |
| Released on July 1973 | |
|
UK CHART POSITION #24 . . . US CHART POSITION #83 . . . GOLD RECORD (3/29/77) | |
| Find it at GEMM | |
| EKS-75064 cover |
" Please, to the see the Queen," I said, and was quickly ushered into the great hall. There she stood, a fountain of wild compositions, struggling to keep her own composure. Mad perhaps, but there was a method to her madness, an arching toward some higher purpose where glimpses of a greater hall could be seen that transcended our own mortal world. Like all true lunatics, her mood was mercurial: at first sweating in a nightmare where she imagined herself the hunted (“Keep Yourself Alive”), then leaning back into a docile state of acceptance (“Doing All Right”). Her ravings were often of imagined acquaintances, the doomed figures of fiction and history in whom her own paranoia found favor: “Great King Rat,” “Jesus.” What lies at the heart of “Liar,” “Son And Daughter” and “My Fairy King” could be an unsettling stream of the subconscious or merely human foibles played to high camp. She might have been winking at me when I left, still rambling on (as she would for years to come). I’ll allow the royals their eccentricities, especially when my patience is rewarded with “The Night Comes Down,” the likes of which I haven’t heard since The Beatles’ white album. As for this first meeting, there are bits of it that remain stuck in my head, though the Queen had more to say on these subjects later on, settling into the pomp and elegance befitting her rank with time. But it was clear from the beginning that she had something important to impart, that seriocomic excess had its place in the regal ranks of progdom. She had ambitions, this one, much as a group of Northern renegades made plain during a Fly By Night campaign. And so it was that one’s first audience with the Queen led to a lasting audience.
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| EKS-75064 back cover |
TRACK LISTING
CREDITS
DEACON JOHN -- bass guitar
BRIAN MAY -- guitars, piano, vocals, cover design
ROGER MEDDOWS-TAYLOR -- percussion, vocals
FREDDIE MERCURY -- vocals, piano, cover design
Roy Baker -- engineer
Mike Stone -- engineer
Ted Sharpe -- engineer
Dave Hentschel -- engineer
Louie Austin -- engineer (6)
Douglas Puddifoot -- photographer, cover design
Jac Holzman -- American production supervision
Robert L. Heimall -- American art direction
return to QUEEN discography
| REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
|---|---|---|---|---|---|
| UK | July 1973 | Elektra | LP | EMC 3006 | |
| US | September 4, 1973 | Elektra | LP | EKS-75064 | |
| ARG | EMI | LP | 8560 | ||
| BRA | EMI | LP | 31C0649451 | ||
| MEX | EMI | LP | SLEM-528 | ||
| UK | Fame | LP | FA 3040 | reissue | |
| US | June 18, 1991 | Hollywood | CDX | 61064 | w. bonus tracks |
| UK/NET | 1994 | Parlophone | CD/CS | CPCSD/TCPCSD 139 | |
| UK | EMI | CD | 789276 | digital remaster | |
| JPN | 1998 | EMI | CD | TOCP-65101 | 25th anniversary edition |
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