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Left Handed Dream |
| Produced and arranged by Riuichi Sakamoto Co-produced by Robin Scott | |
| Released on 1981 | |
| no chart information | |
| Find it at GEMM | |
| ARE 38404 cover |
H ere’s a riddle: What do Riuichi Sakamoto, Robin Scott and Adrian Belew have in common? No, really, tell me, because I still don’t have a clue. I think I get Sakamoto and his east/west amalgam, I know what Belew is doing here (session guitarilla), but Robin Scott? (For those of you not old enough to remember, or who’ve undergone hypnotherapy to purge the memory, Robin Scott was responsible for M, the man/band that gave us “Pop Muzik,” or the “Mmmbop” of 1979.) My worst fears for this collaboration were immediately realized with “Just About Enough,” which was actually more than I could stand. But I reminded myself that Sakamoto was a serious composer, Belew an accomplished accomplice, and braced myself for more music. Luckily for me, nothing else on Left Handed Dream was nearly as awful, and a couple of the songs actually deliver on the upside of a Sakamoto/Scott sandwich. “The Arrangement” is an interesting English nightmare, while “The Left Bank” is sophisticated dance pop. The remainder of the record is a Sakamoto solo set, ranging from captivating Kraftwerkian constructs (“Kachakuchanee”) to atmospheric compositions (“The Garden of Poppies”). Not being too familiar with the work of Sakamoto, I found myself often leaning on the music of Mike Oldfield to put works like “Once in a Lifetime” into context. I wouldn’t recommend Left Handed Dream, however. Instrumental composers like Sakamoto often come off as pedestrian when they venture into commercial/lyrical terrain, and that’s certainly the case here. Belew Meanies can opt out too, since there’s nothing here you won’t find in spades on Discipline, Beat or Three of a Perfect Pair. As for Robin Scott fans, well, I’d save the money for hypnotherapy. Note that the Dutch release of Left-Handed Dream features a bonus 12-inch record with extra tracks as well as radically different track placement. If you’ve got the money and the inclination, I’d go Dutch on this one.
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| ARE 38404 back cover |
TRACK LISTING
CREDITS
RIUICHI SAKAMOTO -- keyboards, bass, guitar, drums, percussion, marimba, syndrums, vocals, computer programming, mixing
ROBIN SCOTT -- vocals, mixing
ADRIAN BELEW -- guitar and angry animals
HARUOMI HOSONO -- bass guitar, percussion
SATOSHI NAKAMURA -- tenor sax
KENJI NAKAZAWA -- flugelhorn
BRIGIT NOVIC -- background vocals
KAORU SATO -- falnged violin
KIYOHIKO SEMBA -- percussion, marimba, syndrums, bird whistle
YUKIHIRO TAKAHASHI -- drums
ROBIN THOMPSON -- soprano sax, bass clarinet, didjeridu, sho, hichiriki
Hideki Matsutake -- computer programming
Mitsuo Koike -- engineer, mixing
Mark Dearnley -- engineer
Ashley Howe -- engineer
| REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
|---|---|---|---|---|---|
| JPN | 1981 | Alfa | LP | ALR 28025 | insert |
| NET | 1981 | Plexus | LPX | KMH 709226 | w. bonus 12-inch record, lyric sleeve, see NET track listing |
| US | 1982 | Epic | LP/CS | ARE 38404 | |
| UK | 1982 | Epic | LP | 25109 |
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