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Caravanserai |
| Produced by Carlos Santana; Mike Shrieve | |
| Released on October 1972 | |
|
US CHART POSITION #8 . . . GOLD RECORD (11/9/72), PLATINUM (11/21/86) . . . UK CHART POSITION #6 | |
| Find it at GEMM | |
| CK 31610 cover [high resolution scan] |
S antana reached the peak of their progressive/fusion side on Caravanserai, a dreamy and mostly instrumental record that seemed to owe much to John Coltrane. Although it didn’t feature a hit, Caravanserai isn’t that kind of album. Only a few tracks feature vocals, and none are conventional (compare the stop-and-start sections of “All The Love of the Universe” to the straightforward “Everything’s Coming Our Way” from their last album). This is Santana in a more experimental jazz mode, pyrotechnic the one moment, pensive the next. The opening “Eternal Caravan of Reincarnation” sets you up for a different journey, since it sounds unlike anything Santana had done to date. The Latin rhythms rarely rise to the fore, and when they do (as on “Future Primitive”) they’re taken out of their Latin context. The result is an instrumental fusion album with Latin undertones, a juncture at which Santana and Chick Corea finally meet. Given the accomplished players who now comprised Santana, Caravanserai’s ambition may be a natural extension of the talent present. The band now boasted two bass players (Tom Rutley on acoustic, Douglas Rauch on electric) and two uber-percussionists in Areas and James Mingo Lewis, a rhythm section that balances the remaining instruments (guitar, organ, piano, voice) without overpowering them. Caravanserai of course is not a complete reinvention but rather a departure. Santana had distilled itself to basic elements and reconstituted under a sun of soft fusion that cast unfamiliar shadows from familiar figures. Often the shadows look like figures glimpsed on Carlos Santana’s solo elpees, but Caravanserai achieves much more. If you’re crossing over to Santana from the progressive/fusion fields, rest awhile at Caravanserai first and it will sustain you in your journey ahead.
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| CK 31610 back sleeve |
TRACK LISTING
CREDITS
JOSE CHEPITO AREAS -- timbales, congas, bongos
JAMES MINGO LEWIS -- congas, percussion, vocal, bongos, acoustic piano
DOUGLAS RAUCH -- bass, guitar
GREGG ROLIE -- organ, piano
TOM RUTLEY -- acoustic bass
CARLOS SANTANA -- lead guitar, percussion, vocal
NEAL SCHON -- guitar
MIKE SHRIEVE -- drums
Hadley Caliman -- saxophone introduction (1)
Tom Coster -- electric piano (9)
Wendy Haas -- piano
Tom Harrel -- orchestral arrangement (10)
Armando Peraza -- percussion, bongos
Rico Reyes -- vocal
Douglas Rodriguez -- guitar (2)
Lenny White -- castanets (6)
Glen Kolotkin -- engineer
Mike Larner -- engineer
Joan Chase -- album art
return to SANTANA discography
| REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
|---|---|---|---|---|---|
| US/CAN | October 1972 | Columbia | LP/8T | KC/CA 31610 | gatefold cover |
| EUR/ISR | 1972 | CBS | LP | S65299 | gatefold cover |
| BRA | 1972 | CBS | LP | 137790 | |
| COL | CBS | LP | 14354 | ||
| JPN | CBS | LP | SPOL-130 | lyric insert | |
| NZ | CBS | LP | SBP474046 | gatefold cover | |
| US | 1974 | Columbia | LPQ | CQ 31610 | quadrophonic stereo |
| JPN | 1977 | CBS | LP | 25AP-817 | lyric insert |
| US | Columbia | LP/CS | PC/PCT 31610 | ||
| UK | 1981? | CBS | LP | 32060 | |
| US | 1988 | Columbia | CD | CK 31610 | |
| EUR | 1990s? | CBS | CD | 65299 | |
| RUS | 2001 | Somewax | CD | SW0192 | lyric sleeve |
| EUR | 2003 | Sony | CD | 511128 | digital remaster |
| GER | 2003 | Columbia | 3CD | 9750964422 | repackaged w. WELCOME + AMIGOS |
| JPN | 2004 | Sony | CD | SRGS-4524 | Super Audio CD |
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