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Illegal Stills |
| Produced by Stephen Stills and Don Gehman | |
| Released on May 1976 | |
| US CHART POSITION #30 . . . UK CHART POSITION #54 | |
| Find it at GEMM | |
| PC 34148 cover [high resolution photo] |
I found this a bitter brew the first few times around, but with suitably shrunk expectations the music on Illegal Stills now goes down smooth. With sweet harmonies from Howard Kaylan and Mark Volman (pure salt, that pair), the songs invite comparison to CS&N, pretty and pungent and bittersweet. Although the two singles didn’t chart, both “Buyin’ Time” (which chronicles the malaise since synonymous with the Carter administration) and a cover of Neil Young’s “The Loner” are as much as you could expect from mid-career Stills. In fact, there are actually few missteps, though perhaps the singer might not mumble his way through French (“Midnight In Paris”) and Spanish (“No Me Niegas”) next time. However, Stephen Stills was fast becoming an anachronism; punk was on the horizon, and this soft rock seems light years removed from disco, let alone The Sex Pistols and The Clash. Illegal Stills isn’t so far from the music of Elton John, tuneful and thoughtful and politely colorful. Favoring keyboards over guitars in many spots and bringing percussion into the mix alongside the bass and drums, songs like “Ring of Love” and “Different Tongues” could well have come from any number of Elton’s mid-‘70s albums (as filler, mind you). What’s missing is Stills’ affection for the blues, here relegated to one track, the light “Stateline Blues.” Although a remarkably talented guitarist/organist, Stills invokes little of his musical prowess this time, content to yield part of the spotlight to Donnie Dacus, who cowrites much of the material and even takes the vocal lead on “Closer To You.” Some may see in this relinquishment a sign that Stills’ store of inspiration was running low, but if so Dacus picks up the slack nicely. No harm done to quaff Illegal Stills in your pursuit of that old CS&N buzz; it won’t make you go blind, though you may need to squint to effect the comparison. In the end, it all depends on whether you see the glass as half full or half empty.
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| PC 34148 back cover |
TRACK LISTING
CREDITS
STEPHEN STILLS -- vocals, bass, keyboards, guitars
JERRY AIELLO -- keyboards
DONNIE DACUS -- guitars, vocals
HOWARD KAYLAN -- vocals
JOE LALA -- percussion
GEORGE PERRY -- bass
GEORGE TERRY -- guitars
JOE VITALE -- drums
MARK VOLMAN -- vocals
TUBBY ZEIGLER -- drums
Ron and Howie Albert -- engineers
Don Gehman -- engineer, mixing
Alex Sadkin -- mixing
John Berg -- cover concept and design
Gerard Huerta -- artwork and design
| REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
|---|---|---|---|---|---|
| US | May 1976 | Columbia | LP | PC 34148 | may contain lyric sleeve |
| UK/NET | May 1976 | CBS | LP | S81330 | lyric insert |
| SAF | 1976 | CBS | LP | ASF 1883 | laminated cover |
| US | August 28, 1990 | Columbia | CD | CK 34148 |
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