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Steve Winwood |
| Produced by Steve Winwood and Chris Blackwell | |
| Released on June 1977 | |
| UK CHART POSITION #12 . . . US CHART POSITION #22 | |
| Find it at GEMM | |
| ILPS 9494 cover [high resolution photo] |
I ’ve got to side with my Rolling Stone Record Guide on this one: Steve Winwood (the album) is a fitting showcase for the man’s many talents. The knock I have on most Winwood albums is the lightness of the material, especially in lieu of Traffic’s rich arrangements. Far from the synthetic confections of Arc and its ilk, these six songs are flesh-and-blood numbers featuring bass, drums, keyboards and guitar. Sometimes he enlists a rhythm section, sometimes he handles everything himself, and never does it devolve into the dreaded one-note vamp where you wonder if the sound engineer has fallen asleep at the boards. While it’s a different chapter than Traffic, fans of the band will feel at home on songs like “Midland Maniac” and “Vacant Chair.” Those who recall that John Barleycorn started as a solo Winwood project may be tempted to see this album as a latter-day Traffic record, and in truth it soars where Eagle didn’t. The album marks the end of Traffic in one sense, as Winwood and Jim Capaldi ceased their songwriting partnership for a time (though the pair worked together on 1983’s Fierce Heart). Given Steve’s soulful mumbling, I couldn’t tell you what he’s singing about, and the lack of a lyric sheet leaves me in the dark. No matter, since it’s mostly about the music, whether it’s the funky openers (“Hold On,” “Time Is Running Out”) or the Santana-styled workout of “Luck’s In.” Sadly, this is a chapter of Winwood’s career that doesn’t get enough attention today because it never produced a recognizable hit. “Vacant Chair,” a collaboration with Bonzo Dog Band’s Viv Stanshall (they would go on to write the title track for Steve’s next album), got tapped for Chronicles but it’s only the tip of an interesting iceberg. It set the stage for his subsequent career even as it provided a bridge from his earlier work with Traffic, making it a nice transitional record for listeners taking the leap.
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| ILPS 9494 back cover | ILPS 9494 picture sleeve |
TRACK LISTING
CREDITS
STEVE WINWOOD --
ANDY NEWMARK -- drums
WILLIE WEEKS -- bass guitar
Reebop Kwaku Baah -- congas (2)
Jim Capaldi - percussion and backing vocals (2)
Brother James -- percussion
Julian (Junior) Marvin -- guitar (4)
Alan Spenner -- bass guitar (4)
John Susswell -- drums (4)
Phil Brown -- engineer
James Hutcheson -- cover painting
| REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
|---|---|---|---|---|---|
| UK/US | June 1977 | Island | LP | ILPS 9494 | picture sleeve |
| BRA | 1977 | Island | LP | 9127006 | |
| GER/NET | 1977 | Island | LP | 28 972XOT | picture sleeve |
| MEX | 1977 | Island | LP | LA-062 | |
| US | Island | CD | 842 774 | ||
| US | 1997 | Mobile Fidelity | CD | UDCD-691 | original master recording |
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