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The Name of This Band Is Talking Heads |
| Produced by Talking Heads | |
| Released on March 1982 | |
| US CHART POSITION #31 . . . UK CHART POSITION #22 | |
| Find it at GEMM | |
| 2SR 3590 cover [high resolution photo] |
W hile the Heads rolled off in separate directions, Sire fed the faithful with a double-elpee serving of live material from three separate tours over the band’s brief career. The Name Of This Band Is Talking Heads, which takes its title from David Byrne’s deadpanned live introductions to songs as “The name of this song is…,” thus functions as a live compilation rather than a live album. This turns out to be a neat idea, allowing the listener to watch the band’s live performances evolve along with their material, gaining confidence while the size of their audience audibly swells. Although not one of the three tours represented really captures the essence of the band (they were always in transition), it does create a composite picture from a distance that is quintessentially Heads-like. The 1977 concerts are personal and mildly provocative, offering a giddy rendition of “Pulled Up” and closing with the big hit (at the time), “Psycho Killer.” The 1979 concert that follows features material from their first three albums, including “Air” and “Building on Fire.” Byrne’s vocals are more agitated this time around, and the band gives him nearly enough rope to hang himself as he offers distracting versions of “Artists Only” and “Stay Hungry.” The second record focuses on the band’s most recent tour, which included illustrious guests (Adrian Belew, Bernie Worrell, Busta Jones, etc.) in an attempt to reproduce the exotic arrangements of Remain In Light. While much of that record’s exotic energy dissipates on stage, there are some advantages to the live performances, none more fascinating than Belew’s wonderful guitar work. It’s too bad more record companies haven’t picked up on the idea of creating live compilations like this; in many ways it’s superior to the dull, dry greatest hits collections that offer no new insights into the band’s musical development or changing commercial fortunes. Of interest, both sides of the album are designed to function as the cover, which is cool if a little confusing.
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| 2SR 3590 back cover? | 2SR 3590 picture sleeve | 2SR 3590 other pic sleeve |
TRACK LISTING
CREDITS
DAVID BYRNE -- vocals, guitar
CHRIS FRANTZ -- drums
JERRY HARRISON -- keyboards, guitar, piano, backing vocals, synthesizer
TINA WEYMOUTH -- bass, backing vocals, synthesizer, percussion
Adrian Belew -- guitars, backing vocals
Nona Hendryx -- vocals
Busta Jones -- bass, guitar
Dolette McDonald -- backing vocals, percussion
Steve Scales -- percussion
Bernie Worrell -- clavinet, backing vocals
Rod O'Brian -- engineer
Dave Hewett -- engineer
Kooster McAllister -- engineer
Katshuiko Sato -- engineer
Brian Eno -- egineering assistance
Talking Heads -- mixing
Butch Jones -- mixing
M&Co. New York -- design
John Dalton, Lynn Goldsmith -- cover photos
return to TALKING HEADS discography
| REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
|---|---|---|---|---|---|
| US | March 1982 | Sire | 2LP/2CS | 2SR/2SR5 3590 | picture sleeves |
| UK | March 1982 | Sire | 2LP | SRK2 3590 | |
| BRA | 1982 | WEA | 2LP | 260778 | picture sleeves |
| YUG | Suzy | 2LP | ULP1053 | ||
| US | August 17, 2004 | Sire | 2CD | 76489 | w. bonus tracks |
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