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True Stories |
| Produced by Talking Heads | |
| Released on September 1986 | |
| US CHART POSITION #17 . . . GOLD RECORD (11/18/86) . . . UK CHART POSITION #7 | |
| Find it at GEMM | |
| 25512-1 cover [high resolution photo] |
T ruth be told, this is my least favorite Heads album. The project started as a David Byrne movie, for which he wrote new songs to create a movie/video medium. True Stories the Movie was no worse than Richard O’Brien’s sequel to Rocky Horror, but it wasn’t any better either. In the film, the actors (e.g., John Goodman) sang the songs; here, the Heads appropriate the material for themselves. So from such humble origins comes the Heads’ most perfunctory, passionless record. The nine tracks (ten on CD) were picked over like a dead rabbit on a Death Valley road by radio stations (four singles were found in the remains), and the record handily cracked the Top 20 on both sides of the Atlantic. It is, however, the Heads equivalent of Paul McCartney’s “Mary Had A Little Lamb;” their niche was so strongly established that anything sounding (or looking) like the Heads was hungrily gobbled up. Removed from the hype, the record reveals itself to be a bland followup to Little Creatures. The remaining Heads apparently had nothing to say about the final product, so Byrne goes about getting his ideas down on vinyl with some help from freelance percussionist Paulinho Da Costa. Byrne sings ‘em well enough, but the lyrics are disingenuous to the point of insult: “Wild Wild Life,” “People Like Us” and “Hey Now” might seem sympathetic on the surface, but underneath the rushed paint job is Byrne’s usual disdain for the “common” man. (It’s interesting to note that, in the film, Byrne’s attention to the mediocrity of man bordered on morbid fascination.) The record obviously has some appeal, perhaps to the same part of the brain that went: “The party’s so hot that the house caught fire -- cool!” I’d wager few folks actually understood what “Wild Wild Life,” “Love For Sale” or any of these songs really meant, but such is the “commoditization” of music that an artist’s “brand” supercedes the individual message. There was a time, I recall, when the idea of Talking Heads product would have been unthinkable. Buy this if you want, but know that any number of solo albums from the Heads have more surprises in store.
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| 25512-1 back cover | 25512-1 picture sleeve | 25512-4 front cover |
TRACK LISTING
CREDITS
DAVID BYRNE -- guitar and vocals, stage photo
CHRIS FRANTZ -- drums
JERRY HARRISON -- keyboards, guitar and backing vocals
TINA WEYMOUTH -- bass and backing vocals
The Bert Cross Choir -- choir (2)
Tommy Canfield -- fiddle (8)
Paulinho Da Costa -- percussion
Steve Jordan -- accordion (6)
Tommy Morrell -- pedal steel guitar (8,9)
St. Thomas Aquinas Elementary School Choir -- choir (3)
Eric "E.T." Thorngren -- engineer, mixing, overdub engineer
Mick Guzauski -- mixing (5)
Lee Herschberg -- mixing (8)
Paul Christiensen -- engineer (2)
Michael McClain -- engineer
George Hurrell -- band photo
Michael Hodgson with Jefrey Kent Ayeroff -- LP design
return to TALKING HEADS discography
| REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
|---|---|---|---|---|---|
| US | September 1986 | Sire | LP/CD/CS | 25512 | picture sleeve |
| UK | September 1986 | EMI | LP/CS | EU/TCEU-3511 | |
| UK/GER/NET | September 1986? | EMI | CD | CDP 746345 | |
| AUS'L/GER | 1986? | EMI | LP | EMC 240612 | picture sleeve |
| BRA | 1986 | EMI | LP | 064 240612 | |
| CAN | 1986 | Sire | LP/CS | 92 55121/4 | |
| NZ | 1986 | EMI | LP | EMC3511 | |
| YUG | Jugoton | LP | LSEMI73177 | ||
| JPN | EMI | CD | TOCP-53129 | ||
| UK | September 1989 | Fame | CD | CDFA-3231 | |
| UK | November 1995 | EMI | 3CD | repackaged w. STOP MAKING SENSE + LITTLE CREATURES |
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