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Todd |
| Produced by Todd | |
| Released on February 1974 | |
| US CHART POSITION #54 | |
| Find it at GEMM | |
| 2 BR 6952 cover [high resolution photo] |
T odd tosses two more elpees at audiences, little of which sticks. Side one actually displays Rundgren’s protean muse to stunning effect. It begins with some synthesizer noodling, slides comfortably into the slightly left-of-center “I Think You Know,” transcends the earlier electronic dabbling with the daunting “The Spark of Life,” winds up a toylike novelty in “An Elpee’s Worth of Toons,” delivers yet another lump-in-the-throat ballad with “A Dream Goes On Forever,” and closes with -- what else? -- W.S. Gilbert’s “Lord Chancellor’s Nightmare Song.” (In a serendipitous twist, I actually made a slideshow based on this poem for my high school English class, drawn as I was to the playful Ogden Nash-like language.) It’s a small miracle that side one works as well as it does. Unfortunately, no more miracles are forthcoming on Todd. Sure, there are some good rock songs (“Heavy Metal Kids”), electronic experiments (“In And Out of Chakras We Go”), pop tunes (“Izzat Love?”) and ballads (“Don’t You Ever Learn?”) to pick from, but a lot of it sounds like second-rate Something/Anything outtakes. What is interesting here is the number of times Todd sounds like David Bowie’s Diamond Dogs, two artists I wouldn’t ordinarily lump together. “I Think You Know” and “No. 1 Lowest Common Denominator” in particular could have easily been slipped into Dogs’ diet. It’s unlikely that Bowie drew anything from Todd, suggesting a confluence of influence that both artists drank from prior to recording their albums (maybe Orwell was all the rage at the beginning of 1974 -- I don’t remember). Todd is far from a bad album, it’s simply uneven in spots (like side two). The payoffs aren’t as big as Something/Anything?, the electronic experimentation is more prevalent but also more sophisticated (pre-dating Healing by quite a few years), and the wunderkind label was beginning to rub off under the weight of these heavy double-album packages.
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| 2 BR 6952 back cover | 2 BR 6952 lyric poster |
TRACK LISTING
CREDITS
TODD RUNDGREN -- instruments, voices, engineer
Mike Brecker -- sax
Randy Brecker -- trumpet
Kevin Ellman -- drums
First United Church of the Cosmic Smorgasbord, N.Y. and S.F. chapters -- voices
Buffalo Bill Gelber -- bass
Wells Kelly -- drums
Moogy Klingman -- keyboards, grand piano, organ, electric piano
John Miller -- bass
Peter Ponzel -- soprano saxophone
Barry Rogers -- trombone
John Siegler -- bass
Ralph Shuckett -- organ, clavinette
Joel Shapiro -- photography
Alen MacWeeney -- cover photo
Bill Klein, Jr. -- back cover photo
Jim Luft, A.G.I. -- art direction
| REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
|---|---|---|---|---|---|
| US | February 1974 | Bearsville | 2LP | 2 BR 6952 | lyric poster |
| UK | February 1974 | Bearsville | 2LP | K85501 | lyric poster |
| GER | 1974 | Bearsville | 2LP | BEA 85501 | |
| JPN | Bearsville | 2LP | P-5126/7W | lyric poster | |
| NZ | 1974 | Bearsville | 2LP | 2WBS6952 | lyric poster |
| UK | 1989 | Castle | 2LP/CD | CLDLP/CLACD 177 | |
| US | 1993 | Rhino | CD | 71108 | |
| UK | February 1999 | Essential | CD | ESMCD674 |
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