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English Settlement |
| Produced by Hugh Padgham & XTC | |
| Released on February 12, 1982 | |
| UK CHART POSITION #5 . . . US CHART POSITION #48 | |
| Find it at GEMM | |
| 4036-2 cover [high resolution scan] |
A brilliant album and a half of pointed social criticism masquerading as a pop masterpiece. English Settlement has a far more rustic feel than earlier XTC albums: acoustic guitars are strummed incessantly like insect wings, electric guitars and drums scratch at your senses like briars in an overgrown garden, vocals give way to suburban voodoo chants. Underneath it all is the XTC you’ve come to know and love from their last two records. “No Thugs In Our House” exposes the same crumbling façade as “Respectable Street,” “Snowman” sympathizes with the familiar wallflower hero of “Sgt. Rock,” “Ball and Chain” decries the same insensible industry as “Towers of London,” etc. English Settlement isn’t a markedly better record than its predecessors (how could anything be better than that heavenly pair?), there’s simply more of it. Produced by the band and Hugh Padgham, this is their genius unconstrained and well directed, moved out of the window box and allowed to grow roots in the open ground. The songs generally fall into two groups: the tightly wound jack-in-the-boxes (“English Roundabout,” “Melt The Guns”) and the lyrical English pageants (“Ball And Chain,” “Senses Working Overtime,” “Jason and the Argonauts”). A few songs fall in between (“No Thugs In Our House,” “Leisure”), some are so disarmingly sweet (“Yacht Dance,” “Knuckle Down”) as to land outside of XTC’s boobytrapped battlefield entirely. Listening to English Settlement, it’s hard to believe that XTC were once considered a punk band; few groups have so artfully subverted their subversive tendencies. The result was work of eccentric charm and beauty that often approached the sublime. After English Settlement, it was hard to argue against XTC as the greatest living pop band on our green planet.
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| 2GHS 4036 F front cover [high resolution scan] |
TRACK LISTING
CREDITS
TERRY CHAMBERS -- drums, drum synthesizer, percussion, backing vocals
DAVE GREGORY -- electric 12-string guitar, electric guitars, nylon-strung Spanish guitar, fuzz-boxed 12-string guitar, mini-Korg, Prophet V, backing vocals, percussion
COLIN MOULDING -- lead and backing vocals, fretless bass, Fender bass, mini-Korg, piano, percussion
ANDY PARTRIDGE -- lead and backing vocals, electric guitar, acoustic guitar, electric and semi-acoustic electric 12-string guitars, amplified acoustic guitar, mini-Korg, Prophet V, anklung, alto sax, percussion, frog
Trans Devente -- special guest vocal support (10)
Hugh Padgham -- vocal support (2), engineer, mixing
XTC -- mixing
Allan Ballard -- photography
Ken Ansell -- artwork
Art Dragon -- illustrations
return to XTC discography
| REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
|---|---|---|---|---|---|
| UK/AUSL | February 12, 1982 | Virgin | 2LP/CS | V/TCV-2223 | gatefold cover, lyric sleeves |
| US | 1982 | Epic/Virgin | LP | ARE-37943 | lyric sleeve |
| CAN | 1982 | Virgin | 2LP | VL-2233 | lyric sleeves |
| GER | 1982 | Virgin | LP | 204 446 320 | lyric sleeve |
| JPN | 1982 | Virgin | LP | VIP-6992 | lyric sleeve |
| MEX | 1982 | Virgin | LP | LAE-445 | |
| YUG | 1982 | Jugoton | LP | SVIRG-73139 | |
| US | 1982 | Geffen | 2LP | 2GHS 4036F | lyric sleeves |
| JPN | 1985 | Virgin | LP | 25VB-1072 | |
| US | Geffen | CD | 4036-2 | ||
| UK | 2001 | Virgin | CD | CDVX-2223 | digital remaster |
| JPN | 2001 | Virgin | CD | TOCP-65715 | digital remaster |
| US | June 25, 2002 | Caroline | CD | 50660 | digital remaster |
| JPN | 2003 | Virgin | CD | VJCP-68534 | digital remaster |
| JPN | 2005 | Virgin | CD | TOCP-53596 | digital remaster |
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