An Australian new wave band that began as Flowers before taking their name from the song "Icehouse." Their first record was solid synth rock in the vein of David Bowie, Gary Numan and Ultravox. The urbane Primitive Man invited comparison to Roxy Music, and stands as perhaps Icehouse's best record. They slipped on Sidewalk, regaining their balance on Measure For Measure and Man of Colours. The discography below is still a work in progress, which I'll try to flesh out in the coming weeks. (Of course, it's been weeks and I still haven't done it. Fortunately, there's an awesome discography on the official Icehouse/Iva Davies site at www.icehouse-iva.com.)
| Date | ALBUMS / Singles |
|---|---|
| 1980 | ICEHOUSE/FLOWERS |
| 1981 June | We Can Get Together |
| 1981 October | ICEHOUSE |
| 1981 October | Can't Help Myself |
| 1982 | Icehouse |
| 1982 October | PRIMITIVE MAN (in UK: LOVE IN MOTION) |
| 1982 | Love In Motion |
| 1982 | Uniform |
| 1982/3 | Great Southern Land |
| 1983 February | Hey Little Girl |
| 1983 | Street Cafe |
| 1983 August | FRESCO (EP) |
| 1984 April | SIDEWALK |
| 1984 | Taking The Town |
| 1984 | Don't Believe Anymore |
| 1984 | Dusty Pages |
| 1985 | No Promises |
| 1986 | MEASURE FOR MEASURE |
| 1986 | Mr. Big |
| 1986 | Baby, You're So Strange |
| 1986 | Paradise |
| 1986 | Cross The Border |
| 1987 July? | MAN OF COLOURS |
| 1987 October | Crazy |
| 1988 February | Electric Blue |
| 1988 | Man of Colours |
| 1988 | Nothing Too Serious |
| 1988 June | My Obsession |
| 1989 | GREAT SOUTHERN LAND |
| 1989 | Touch The Fire |
| 1989 | Jimmy Dean |
| 1990 | Big Fun |
| 1990 | CODE BLUE |
| 1990 | Miss Divine |
| 1990 | Anything Is Possible |
| 1993 | BIG WHEEL |
| 1993 | Big Wheel |
| 1995 | BERLIN TAPES |
| 2002 October 21 | MELTDOWN |
| 2003 June 16 | Lay Your Hands On Me |
| 2004 May | Street Cafe 2004 |
SEE ALSO...
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