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Original Soundtrack of The Who Film "McVicar" |
Produced by Jeff Wayne | |
Released on July 1980 | |
UK CHART POSITION #39 . . . US CHART POSITION #22 | |
Find it at GEMM | |
PD-1-6284 cover (I've retouched the silver reflective surface) |
T he Who were fast becoming a celluloid band: The Kids Are Alright, Quadrophenia, and a showcase for the talents of Roger Daltrey, McVicar. I didn’t see the movie, but if Daltrey’s acting performance was anything like his vocal performance on “Free Me” then it must have been pretty good. In the eclipse of Keith Moon’s passing, Who fans were scanning the nightsky for anything luminescent, including a soundtrack that promised to reunite the remaining members of The Who (as this did). The bulk of the score are pleasant songs written by Billy Nicholls and Russ Ballard, sung by Daltrey in his own inimitable style, with a pair of instrumentals thrown in for good measure. Because Roger’s voice is so instantly evocative of The Who, it doesn’t take much time before tracks like “Free Me,” “McVicar” and “Bitter And Twisted” begin to sound like that band’s more modest epics (think The Who By Numbers). McVicar’s not as good as that, largely because the band chemistry simply isn’t there. It’s a professional affair, written around the storyboard, and the final product does sound like individual performances spliced together. Most of the electricity (and there is some) comes from Daltrey’s voice and arrangements scored with a dramatic end in mind. Despite the participation of Kenney Jones, there is no audible foreshadowing of Face Dances (I couldn’t even tell you what song he or Pete Townshend play on). But McVicar delivers more than most soundtracks, and actually holds its own with most of Daltrey’s solo elpees. His catalog promises the skin of The Who, while Townshend’s work is more about discovering what’s underneath the skin. If your interest doesn’t extend past skin deep, Daltrey’ll do ya just fine. That the soundtrack produced two hits, “Free Me” and “Without Your Love,” speaks to the power and the void. Still, McVicar is no less appetizing than the new McNugget: it’s got meat, tenderness, a little spice, and comes in a thin cardboard container.
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PD-1-6284 back cover (reflective silver in upper RH corner) |
PD-1-6284 picture sleeve |
TRACK LISTING
CREDITS
ROGER DALTREY -- vocals
RON ASPERY -- flute
JOHN "RABBIT" BUNDRICK -- keyboards
TONY CARR -- percussion
STUART ELLIOT -- drums
JOHN ENTWISTLE -- bass
HERBIE FLOWERS -- bass
KEN FREEMAN -- synthesizers/keyboards
RICKY HITCHCOCK -- guitars
KENEY JONES -- drums
DAVE MARKEE -- bass
DAVE MATTACKS -- drums
BILLY NICHOLLS -- guitars
JO PARTRIDGE -- slide, electric and acoustic guitars
FRANK RICOTTI -- percussion
PETE TOWNSHEND -- guitars
JEFF WAYNE -- arranger, conductor, brass arrangements
Steve Gray -- brass arrangements
Cy Langston -- engineer
Laurence Diana -- engineer, mixing
Geoff Young -- engineer, mixing
Richard Evans -- sleeve design
David James -- photographs
REGION | RELEASE DATE | LABEL | MEDIA | ID NUMBER | FEATURES |
---|---|---|---|---|---|
UK | July 1980 | Polydor | LPCLR/CS | POLD 5034 | clear vinyl, picture sleeve |
UK | July 1980 | Polydor | LP | 2302 102 | black vinyl |
US/CAN | July 1980 | Polydor | LP/CS/8T | PD/CT/8T-1-6248 | picture sleeve |
US | 1995? | Polydor | CD | POL-73412 |
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